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Ultimately, Beauvoir wanted to have it both ways. Rebuffing the idea of a fixed female essence, Beauvoir envisioned a woman who realized herself in economic and social independence. At the same time, she upheld the need for gender difference, however qualified, deriding women who denied their femininity and became no more men than women in the process. Since gender equality entailed neither difference nor imitation, and the biological binary of XX and XY occluded any middle ground, Beauvoir seemed to render all feminist stances equally untenable...
...mail was, in fact, sent out as an advertisement for the latest episode of On Harvard Time, which includes a surprisingly hilarious segment on dining hall parties...
...certain degree of cultural hybridization appears inherent in many designers’ projects. Modern fashion has been inextricably tied with appropriation—the browsing of and borrowing from other cultures and time periods. Until recently, this meant mainly European couture houses and designers adopting and tweaking patterns, techniques, and textiles from other regions...
...Varieties of Religious Illusion.” The combination of this secularist tract—and its appendix refuting 36 arguments for God’s existence—with Cass’s clear-eyed empathy for religious belief has turned him into an overnight celebrity, dubbed by Time Magazine as “the atheist with a soul...
...Kuumba Singers was founded in 1970 by Dennis W. Wiley ’72 and Fred A. Lucas ’72 at a time when racial hostility in Boston was rampant. Originally created as a safe space for black students on the Harvard campus and in the greater Boston area, the choir’s focus more recently has shifted towards celebrating black culture. Vice President Kaydene K. Grinnell ’10 says, “Our goal is to celebrate black creativity and spirituality, and that is done through music, dance, song, and spoken word...