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...blinding whiteness of day-and freedom. Though the Nazi-like greatcoat worn by Pizarro (formidably portrayed by Baritone Walter Berry) was an irrelevant touch, the eyeglasses he took from a pocket-a desk man-were the perfect way to suggest Pizarro as not just a vague, timeless man of evil but the product of a villainous system...

Author: /time Magazine | Title: Music: 200-Condlepower | 12/28/1970 | See Source »

...Beatles, but as long as there are writers who give themselves entirely to the relentless pursuit of their conceptions of truth, poetry has nothing to fear. Luckily, we still have such writers working among us. Elizabeth Bishop's work promises, by every standard I can think of, to be timeless. Caught as we are in frenzy, we need more of her considered wisdom and temperate common sense...

Author: By Jonathan Galasst, | Title: Peots Elizabeth Bishop | 12/15/1970 | See Source »

DEEP in the timeless Jordanian desert, the three silvery jetcraft glinted like metallic mirages in the afternoon sun, their finned tails emblazoned with the insignia of three famed airlines: TWA. BOAC and Swissair. Then suddenly a huge explosion, then another and another. The planes crumpled, then burst into flame. From the burning wreckage rose columns of black smoke that were visible 25 miles away in Amman, where Arab guerrillas fired their guns in celebration...

Author: /time Magazine | Title: World: Drama of the Desert: The Week of the Hostages | 9/21/1970 | See Source »

...thought. He reiterates the lesson of all great artists, that vigor comes from continuity, from the regenerative originality which only a sense of history as present in every living moment can nurture. He has been free to pursue his own thought because he has been quick to admit the timeless creativity of Monteverdi, Gesualdo, and Bach. A musical convention is a point of departure rather than a creative surrender. Stravinsky's music has always been imitative in the Aristotelian sense (which is the only sense), and always classical, never "neo-classical." "Neo-classical" is a fruitless neologism, a fetid, indurating...

Author: By M. CHRIS Rochester, | Title: Igor Stravinsky Retrospectives and Conclusions | 5/20/1970 | See Source »

These plays are timeless precisely because man is changeless. After more than 2,000 years, the dramas of Aeschylus, Sophocles and Euripides are the most scrupulously exact and eloquently moving accounts that Western man possesses of the nature of his destiny. Aeschylus' The Persians, which has been revived at Manhattan's St. George's Church, is one of the earliest of these tragedies (472 B.C.). Set before the tomb of Darius the Great shortly after the Battle of Salamis, in which the Persians were crushingly defeated by the Athenians, the play is a spoken song of lamentations...

Author: /time Magazine | Title: Theater: Greek Threnody | 4/27/1970 | See Source »

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