Word: timidation
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Dates: during 1970-1979
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...Needed Thaw. As expected, the Nationalists won last week's elections handily, and will have a two-to-one majority in the new Parliament. But they lost nine seats-not to the verkramptes but to the English-oriented United Party, a timid, ideologically sterile organization that favors token African representation. The tiny, anti-apartheid Progressive Party increased its total vote by one-third, and its lone member of Parliament, the spirited and courageous Helen Suzman, nearly tripled her 1966 lead. By contrast, Hertzog's party failed to win a single seat; all four of its M.P.s were defeated...
...Lugosi spiraling in for an elegant neck shot. Aside from the remote possibility of contracting rabies (bats, like most mammals, can transmit the disease), the only danger from a vampire's nip is botfly larvae, parasites that cradle in superficial wounds. People need not fear, however. For the timid vampire almost never bites humans...
...limited suggestions. The Soothsayer should not be played like Tiresias. Chairman and Iras, two thankless roles must either put on more or different clothes. The colored battle-screen made no contribution. More seriously, the court at Egypt was enervated and decidedly unexotic, unmajestic, uninercurial, and rather bland, tired, and timid. There was petulance instead of the passionate anger of a moody, selfish, regal, lover-queen. Miss Yakutis must avail herself, as I know she can, of a range of tones and rhythms, and soar and admonish and implore and pout and sing her way to complexity. The soldiers are unremittingly...
...Encyclopedia Theory of History with which the authors have tackled their subject. In their eagerness to provide the definitive account of the spring events. the authors have crammed far too many names, dates, resolutions, and background details into the story. Throughout the crowded pages, they have been too timid about summarizing peripheral facts in order to highlight important ones. Unless readers assume that trivial details at Harvard are somehow more interesting than the same minutiae elsewhere, there is no reason for the profusion of data...
Although showing Tiepolo's stylistic development from the timid "Moses" to the virile "Head of a Bearded Man," the exhibition stresses its second point: primarily Tiepolo's influence on his two sons. Domenico and Lorenzo, and his differentiation between other artists of this atelier. Giovanni Raggis works are much more subdued than Tiepolo's works: Raggi's less effective style of wash makes one appreciate Tiepolo. Raggi's "Virgin" (=25) clearly evolves from specific Tiepolo drawings such as =12, Tiepolo's influence on Francesco Lorenzi is also prevalent. The chalk drawings of these two artists were sometimes indistinguishable...