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FLIP WILSON PRESENTS: The Helen Ready Show (NBC, Thursday, 8-9 p.m. E.D.T.). Helen Reddy won a Grammy last year for her recording of I Am Woman, which has since become a sort of anthem for the Women's Liberation movement. The show's timid overtones of feminism, however, are not allowed to disturb its stolid, unimaginative variety-show format. Hampered by painfully writer-stricken interim patter, Ms. Reddy has neither the presence nor the experience to spark the old string-of-guests routine to life...

Author: /time Magazine | Title: Television: Viewpoints | 8/6/1973 | See Source »

...tried very hard to play by the rules of the sexual code, and hushed every self doubt under a louder male catcall or compliment. But a few years of shutting up to make men feel smart, acting timid to make them feel brave, and lying to make them feel stronger left me empty inside. Since the attention I got for my manipulative agility told me that I was a success by the standards of "femininity," I began to think that my problem was neurotic. So I went into psychoanalysis and discovered that I hated...

Author: By Emily Fisher, | Title: Feminism: The Personal Struggle | 7/10/1973 | See Source »

Truffaut's playful misogyny gives the movie a nice cutting edge, but it also unhinges it, quite as thoroughly as the hapless hero (Andre Dussollier) is eventually unhinged by Camille. A bookish, earnest, timid sociologist writing a thesis on criminal women, Dussollier interviews Camille in prison and becomes enraptured by her exploits; his scholarly dispassion buckles as she relates her history of adultery, theft and even-perhaps-murder. He becomes her vicarious paramour, and her champion, determined to prove her innocent of the murder of a lover (Charles Denner). She is, through his strenuous dedication, finally acquitted...

Author: /time Magazine | Title: Cinema: Jail Bait | 4/30/1973 | See Source »

...short stories and poems, learning them by heart in silence before confiding them to a tape recorder or a secretary. Gabriel García Marquez, author of the brilliant Colombian novel One Hundred Years of Solitude, confesses that he became a conjurer with words only because he was too timid to become what he really in tended to be: a stage magician...

Author: /time Magazine | Title: Books: South Toward Home | 4/2/1973 | See Source »

...timid-or independent-souls who are still wondering whether to buy those "new" '40s-inspired clunky platform shoes, the question may soon be irrelevant. With its usual fickleness, fashion is already whizzing on. "Down from those three-inch platforms," say the heralds of chic, "and onward to something older!" For many designers and their customers, the In echo is of the '20 -not so much the roaring of the jazz babies in speakeasies as the tinkling of cocktail glasses on Long Island lawns and the rustle of silk against chiffon...

Author: /time Magazine | Title: Modern Living: The New Old Sports | 3/26/1973 | See Source »

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