Word: timing
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Dates: during 1960-1969
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Things new, exciting and theatrical are rare in the arts at any time. At the moment, most of the theatricality seems superficial and hastily pasted on; not so in dance, which constantly erupts with interior energy and hot creativity. New companies are being born. Old companies are being rejuvenated. Ballet groups are crisscrossing the country, offering a bewildering assortment of dances, some fiery and full of meaning, some backed by rock music and psychedelic lighting, some conventional and harmonious. Two groups are currently drawing more attention and stirring more delight than any others. One is John Cranko's rollicking...
According to James Laver, the British historian of women's fashions, the same dress will be "indecent" if worn ten years before its time, and "daring" if worn a year before, "smart" the year of its coming of age, and "hideous" ten years after. But it will become "amusing" 30 years after its vintage year, and ultimately it may become "romantic" or even "beautiful." The same sort of pattern, Laver maintains, can be traced in interior decoration and design. He may be right...
...battered themselves, either physically or emotionally: "All had experienced a sense of intense, pervasive, continuous demand from their parents, a sense of constant parental criticism. No matter what the patient as a child tried to do, it was not enough, it was not right, it was at the wrong time, it bothered the parents, it would disgrace the parents in the eyes of the world...
...fascinated with Chanel since I was ten." Brisson says, "when I was at school in England. I was fascinated by this woman who cut her hair, smoked in public, wore pants." Brisson approached Lerner in 1960, but they did not start work together on Coco until 1965. By that time. Chanel had seen Lerner's My Fair Lady and loved it. "I was convinced that Lerner was incapable of doing anything vulgar," she said last week in Paris. "These people know what they're doing." Still, she wonders what they find so interesting in an 86-year...
...Stevedore Type. When the first draft of the book was finished in the fall of 1967. Lerner decided that no one would do but Katharine Hepburn. "One performance by Hepburn in something of mine and I'd die happy," Lerner told TIME Reporter Mary Cronin last week. He got Hepburn, although at 60 she had never sung a professional note in her life. Chanel was pleased with the selection. "She's very very expensive, you know." Coco confesses, however, that "I'd always thought of her as such a gendarme type-so sure of herself." (Hepburn characterizes...