Word: tina
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...Tina were, and are, bigger in England than they are here. In 1966, Phil Spector, a living legend ever since his production of such hits as the Ronettes' "He's a Rebel" or the Righteous Brothers' "You've Lost that Loving Feeling," decided to produce Ike and Tina. "River Deep-Mountain High," found on the album of the same name, was the resulting master-piece. In that song, Tina's voice is carried to soaring crescendos with the addition of heavy echo effects, strings, and vocal back-up. The entire album hears the stamp of Mr. Spector's influence...
...Tina took the stage and-oh no-oh yes-Tina sings "I Want To Take You Higher." Followed by "Son Of a Preacher Man" and then "River Deep-Mountain High." "River Deep" was a mild disappointment to me because no effort was made to reproduce the arrangement or fullness of sound of the recorded version; on the other hand, if a live rendition could never approach Spector's "wall of sound," why not speed it up and inject it with soul? But without doubt, everyone got off on "Honky Tonk Women," complete with razzle-dazzle choreography. Then "Come Together," sung...
...well. Before doing the album with Spector, Ike had signed and recorded with around five or six other labels. There was great inconsistency in quality, much overlap in material, and generally poor promotion. Television, meanwhile, feared that the public couldn't digest the sexual overtones of Ike and Tina's music. (Their image was a bit raunchier than it now, particularly after Tina discovered see-through apparel in Paris.) When Shindig considered them for a show, the head of ABC said No, Tina was too wild-although, as Ike protests, neither Tina nor the Ikettes "ever bumps or grinds. Their...
...tremendous boost to Ike and Tina's career came last year when the Rolling Stones asked them to join the bill for their tour of the U.S. Although Ike and Tina had played an increasing number of pop festivals in recent years, they could always use more exposure to young people. And in the minds of many of those young people, there is great status attached to touring with the Stones. (Unfortunately, they didn't accompany the Stones as far as Boston.) Additionally, the tour further influenced them in favor of white rock; they began trying to find hits...
...missed Ike and Tina's Sumerthing concert in Harvard Stadium, you had another chance two weeks ago. The Revue returned to Boston for a show at the Arena. The crowd wasn't too big and the acoustics were so bad that they had to play at absolute minimum volume, so it must be counted as an off-night. Still an off-night with Ike and Tina is more exciting than most concerts I've seen lately. After a too-loud, too-heavy set by a group called Osmosis, the Revue took over. Usually, the Kings of Rhythm do a lengthy...