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...parties in between, each and every Harvard student can e-mail his or her own personal obsessions (limited to 10) to a computer dating service promising everyone the opportunity to get some, some ultimate sustenance at the end of term. (Personally, I have always been an adherent to the Tina Brown model of cocktail party socialization, flitting from group to group with a cheerful wave and a smile-then, "I think we are expected to circulate; see you in section." I never got a chance to take up www.thespark.com on the offer to try to consummate my last crush...

Author: By Luke Z. Fenchel, | Title: Exiled From the Elysian Yard | 6/7/1999 | See Source »

...Ross. "They didn't ask me before they did it," she says. "I was furious. They used the whole track." Not long ago, Ross was asked to be part of vh1's Divas Live '99. Although she says she admires some of the other acts on the roster, notably Tina Turner and Brandy, Ross declined. "It seemed like they were creating a sort of competition," says Ross. "I just didn't think it was well done...

Author: /time Magazine | Title: Television: Stop! In the Name of Divas | 5/17/1999 | See Source »

...look out at a crowd that doesn't understand a word she's singing and yet somehow feels what she's feeling. She has already visited Japan on a tiny, promo-tour scale, but, she explains, "I haven't been to Japan like Whitney's been to Japan, like Tina [Turner]'s been to Japan, like Diana Ross has been to Japan." Impact is everything. It's at moments like these that one sees another side of Brandy, a shrewdly ambitious side. She may lack the blunt careerist lust of, say, Celine Dion, but her gaze is just as focused...

Author: /time Magazine | Title: Television: Stop! In the Name of Divas | 5/17/1999 | See Source »

Directed by Tina Packer...

Author: By Erik Beach and Christopher R. Blazejewski, S | Title: Richard III: Two Views | 5/7/1999 | See Source »

Richard III is a big production. There is very little that is simple, subtle or conventional about director Tina Packer's interpretations and logistical choices. But Packer does not allow the production's grandiose ambition to get out of hand. Rather, the performance comes together as an innovative, entertaining, colorful, emotional and eclectic menagerie of talented actors, an ingenious set, well-chosen musical accompaniment and even some battlefield choreography. Although the performance is rather long--running just shy of four hours--and the plot is often complicated and confusing for those not intimately familiar with the play's history, Richard...

Author: By Erik Beach and Christopher R. Blazejewski, S | Title: Richard III: Two Views | 5/7/1999 | See Source »

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