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...planes fly higher, the risk of collisions with space fragments may also rise. In the 1970s, supersonic transports (SSTs) will be soaring at 70,000 ft. -nearly twice the ceiling of present-day passenger jets. In that rarefied atmosphere, space garbage is still more of a menace; the tiniest fragment could puncture the metal skin of an SST. Pentagon, NASA and commercial aviation officials all concede the dimensions of the future problem. But at present, the only formal warning system for commercial aviation is Herb Roth's part-time effort...

Author: /time Magazine | Title: Space: Tip on Re-entry | 8/16/1968 | See Source »

...Connoisseurs of the old master's brand of daffy brouhaha will savor it to the last page. For those who don't trust any writer over 80-well, maybe they should sample a little vintage Wodehouse first, like a whiff of Carry On, Jeeves! (1925), or the tiniest dollop of Love Among the Chickens...

Author: /time Magazine | Title: Books: Short Notices: Aug. 16, 1968 | 8/16/1968 | See Source »

DARTMOUTH: The Tiniest B.M.O.C...

Author: /time Magazine | Title: Education: THE CYNICAL IDEALISTS OF '68 | 6/7/1968 | See Source »

...sheer size of foundations-their collective wealth and power as investors in the stock markets and their influence on U.S. society-has begun to stir criticism and concern in some quarters. When looked at in the widest context, this point of view seems unwarranted. Foundation wealth represents the tiniest fraction of all private wealth in this country, which is estimated at $2.15 trillion. Foundation grants account for only 8% of total U.S. philanthropy, 80% of which comes from the individual giver, in a gamut of generosity that embraces large and small offerings to hospitals, churches, the Community Chest and even...

Author: /time Magazine | Title: Essay: THE FOUNDATIONS AS PIONEERS | 1/19/1968 | See Source »

...Museum. Liebermann, 56, a charming, energetic ex-composer, firmly controls quality by adjusting the tiniest strokes of stage business and watching nearly every performance. In the belief that "seduction of the audience through the eye is easier than through the ear," he has brought such gifted directors as Jean-Louis Barrault and GianCarlo Menotti to Hamburg to stage his productions; and as a musician, he has persuaded such fellow composers as Hans Werner Henze, Ernst Krenek and Krzystof Penderecki to write new operas for the company...

Author: /time Magazine | Title: Opera: How to Hear Ahead | 7/7/1967 | See Source »

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