Word: tinning
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Dates: during 1940-1949
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...music was credited to one Jim Hoyl, whose identity was a mystery, though under his real name, Jim Hoyl had been an occasional visitor to the nether world of Tin Pan Alley...
...Albert's homard à l'américaine, Cabinet careers were made and broken, and million-franc deals consummated. Maxim's ladies, the poules de luxe, often sat in lonely splendor until at long last a U.S. sugar king or Bolivian tin baron whispered in Gérard...
...cost of the strike was incalculable. Such badly needed imports as copra, rubber, tin, tung oil, hemp, lead, wool, coffee, tallow and hides were cut off. Almost half a million men were out of work...
...combination dance hall, vaudeville house, nightclub and rat race for disorderly elements. . . . We who rent the rooms . . . have been imposed upon grievously ... to accommodate . . . casuals off the streets who come to dance, drink and marvel in alcoholic stupor at ... the tough blonde griping hoarsely into a tin can mounted on a pipe . . . and pretty little thrips who sing mischievously about adultery . . . while Ollie Twitch and his reefer boys are tearing the atmosphere to bleeding tatters from the platform and some agile mugger with greased hair is twining a boneless female around his neck and exhibiting an impersonal patch...
...background music is a cheap way of getting or underscoring an emotional effect, full of Wagner's tritest tricks. At its best, says Rozsa, it can help to "complete a psychological effect." Spellbound and The Lost Weekend, full of mental quirks and jangled nerves, were right up his Tin Pan alley. To express one hero's amnesia and the other's lust for alcohol, Rozsa used an unearthly contralto wail, produced electronically by a radio-like instrument called the theremin (TIME, April 11, 1932). The theremin, almost never used in a Hollywood film score before...