Word: tinning
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Dates: during 1980-1989
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...abetted each other. The original '60s militants of the preservation movement were the shock troops of the upper middle class, and it was a broader swath of the same class who in the '70s made living amid urban antiquity seem both virtuous and stylish. Restored carriage houses and pressed-tin ceilings have seduced more children of the suburbs back to the city than mean, shiny apartment towers...
When London Merchant Peter Durand patented the tin can in 1810, the world was changed forever. Canning revolutionized life on the farm, in the kitchen, on the battlefield. In the 20th century, life would seem primitive and deprived without cans. In 1986 some 102 billion canned items were manufactured. One category of container, the aluminum easy-open beverage can (69 billion produced last year), has so proliferated that the mere existence of empties has engendered a brand-new folk industry. Can picking, some call...
...homes of the wealthy landowners and businessmen who pulled most of the strings of power before the military coup of 1979. They shop at U.S.-style malls on the Boulevard de Los Heroes, favor the Mercedes-Benz SL and try to overlook the rat's nest of tin and cardboard huts that besmirches their view of a nearby hillside...
...deportment that amazed the country, so used to New York City trashing its stadium or Detroit setting fire to the neighborhood. From the first game to the last, both won by the series' MVP Frank Viola, Minnesotans were content to twirl cotton hankies for Kirby Puckett and to blow tin whistles at the Cardinals. Gracious winning was the story of the year in baseball. When Minnesota finally won something, it knew...
...well as celebratory about the sight. It seems improbable that anyone (other, perhaps, than Stella) will manage to wring more from the constructivist impulse. If you want to see the common ancestor of these frenetic and space- grabbing objects, it is upstairs at MOMA, a little thing of rusty tin: Picasso's 1912 Guitar. Thinking about Picasso, Stella had come to realize that "it's not the presence of a recognizable figure in Picasso that in itself makes things real, but his ability to project the image and to have it be so physical, so painted...