Word: tins
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Dates: during 1950-1959
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...direct result of the whites' measures to keep the blacks in their place. A few miles outside Windhoek, the government is completing a $5,000,000 "location" for the capital's 16,000 blacks. Though the austere new houses are quite an improvement over the old tin shanties, they not only cost eleven times as much to rent, for people whose pay ranges from $3 to $10 a month, but are regarded by the blacks as nothing more than one more ignominious step toward complete apartheid. When the mandate's administrator flatly refused even to receive...
...Hard Workers. Britain's entry into the Orient brought new swarms of Chinese to Nanyang as indentured coolies to work in tin mines and on plantations, to load ships and build roads and carry burdens. Each new trading city-Penang, Singapore, Malacca, Hong Kong-became heavily Chinese. As agents and middlemen, the ubiquitous Chinese followed the Dutch troops into Sumatra, Borneo and Celebes, the British into Burma, the French into Indo-China. Even in Thailand, which never became a European colony, the Chinese were advisers to the king, and controlled the nation's commerce...
...number two position, Tim Gallwey was able to win only one game in losing to Navy's Ed Lowry. Frequently hurrying his shots and dropping many into the tin, Gallwey lacked his usual accuracy and was often put off balance by Lowry's powerful serve...
...Blows (Zenith International). A small boy stands at the bottom of a giant tin can, the centrifuge in an amusement park. As the can begins to spin, the centrifugal force moves him to the outer walls. Faster and faster it goes. Soon the boy can move neither backward nor forward; he is the prisoner of the machine. Searching for freedom, he scrambles along the walls upside down. The machine, he discovers, has repealed the natural law that keeps his feet on the ground. It has robbed him of all relationship to the true center of things...
...Weidman-Abbott book weaves deftly in and out of the song numbers, and the lower they descend for their theme, the higher they mount in effectiveness. The boys in the back room are amusingly kidded in a lilting Politics and Poker; graft is hilariously drubbed in a dittylike Little Tin Box. Even more zipful are a pair of production numbers, a rousing electioneering street dance, and a fine 1920s high-kicking chorus line...