Word: tins
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...some scenes Artoo Detoo is played by a real robot; but in closeups little Kenny Baker is the brain and motor within. Baker had a hard time moving that heavy tin can in Star Wars, and his new model Artoo Detoo was a big improvement; it was lighter and easier to push, and it did not have the bruising nuts and bolts the old model had inside. Unfortunately for Baker, he is fast becoming obsolete. The real robots were much smarter than they were in Star Wars, and they were able to do many action shots better than the Baker...
Besides choreography, Balanchine works on everything from posters to hairpieces. He must al ways compensate for emergencies and injuries; the company is hard-hit right now. On the night of the Ballade premiere, both men who dance The Steadfast Tin Soldier, also on the program, could not perform. The company got a little help from an old friend, Mikhail Baryshnikcv. Watching him cavort through the part, one could not help thinking that he, as much as any other dancer, suffered lost opportunities because of Balanchine's illness...
...over-consumption of fish, Oskar's valiant attempts at sex, cemetaries, the death-dealing Nazi-party pin. Yet unlike Grass' novel, Schlondorff's film refuses to tie these ugly images together; time has strange dimensions and the laudably meticulous attention to detail--violent and spectacular--leaves us empty. The Tin Drum is full of disturbing moments: Oskar is forced to drink a stone and urine soup; eels slither from the mouth of a slimy horse head; a hand pokes out of a coffin made of packing crates. These images fade in time, however, unlike the icy symbolism of Fassbinder...
...film on three adjectives: barbaric, mystical, bored. But if Schlondorff had kept those words in mind as he guided his camera over the russet rooftops of Old Danzig, he might have crafted a film that captured the anguish of the 20th Century as well as Gunter Grass' The Tin Drum...
...woman burning with fitful passions. As a teasing agent provocateur of sex, Nadezhda, played with sensual animal magnetism by Sheila Allen, is a queen bee killer. Her husband, Monakhov (Brian Murray), whom she loathes, pleads for her love, holding his spectacles in his hand like a beggar with a tin cup. The seemingly amour-proof Tsyganov offers to sweep her off to Paris and is crushed by her cruel rebuke that at 49, he is disgustingly old. Under Cherkoon's touch, however, Nadezhda becomes an emotional tinderbox. Cherkoon has already enjoyed the favors of Lydia (Roxanne Hart), an achingly...