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Butoy has another lovely piece: Hans Christian Andersen's The Steadfast Tin Soldier grafted onto Shostakovich's Second Piano Concerto. The one-legged soldier and his ballerina love battle an evil Jack-in-the-box in a gorgeous blend of traditional and computer animation. Eric Goldberg has a snippet set to Carnival of the Animals--flamingoes playing with yo-yos--that is giddy enough to remind you of Bob Clampett's 1943 cartoon classic A Corny Concerto. The Goldberg variation on Rhapsody in Blue is a smartly syncopated tribute to ageless caricaturist Al Hirschfeld. In the style of the NINAs...

Author: /time Magazine | Title: Cinema: Disney's Fantastic Voyage | 12/13/1999 | See Source »

...like the joy Beck had when he was so suddenly confident of "Where It [was] At." The rest of the album approaches the clarity of "Debra," as if Beck is trying on mask after mask until he finds the one that fits. These masks are made out of tin, but they shine; they shine magenta and chrome blue and those are colors nobody has seen since some decade that exists primarily in Beck's mind. Apparently, it was a decade worth revisiting...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: Album Review: Vultures: The Best of What Beck Does Best | 12/3/1999 | See Source »

...setting is again the Baltimore, Md., of Levinson's youth, source of Diner, Tin Men and Avalon. This time his alter ego is a smart, sweet-souled teenager named Ben (Ben Foster) who, having lived all his life in a Jewish enclave, is astonished to discover that most of the world is not, after all, Jewish. That's particularly true of Sylvia (the uncannily cool, wise and beautiful Rebekah Johnson), who is one of the token blacks in his newly integrated school. Their relationship is handled with great delicacy; this is a friendship that yearns to be, deserves...

Author: /time Magazine | Title: Cinema: Baltimore Aureole | 11/29/1999 | See Source »

Liberty Heights is the fourth in Barry Levinson's "trilogy" about his hometown of Baltimore, Md. After Diner (1982), Tin Men (1987) and Avalon (1990), he felt he had finished with tales about growing up in the city's Jewish neighborhood in the 1950s. But then an ENTERTAINMENT WEEKLY review of his 1998 movie, Sphere, referred to Dustin Hoffman as a "noodgey and menschlike" Jewish psychologist. The racial stereotyping annoyed Levinson ("Nobody would say Mel Gibson was playing a Catholic industrialist in Ransom"), but it also got him thinking about his youth again. Rather than fume, he sat down...

Author: /time Magazine | Title: Cinema: The Creator | 11/29/1999 | See Source »

...GORE Tin man cuts smart nuke ad, finally gets AFL-CIO nod. Now all he needs is a heart...

Author: /time Magazine | Title: Notebook: Oct. 25, 1999 | 10/25/1999 | See Source »

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