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Beyond their prismatic gift for tint and shading the editors of Time have a real talent for discovering anguish. the illustrating example abounds--a teaser for the cover story on "Help--Teachers Can't Teach" tells of one teacher who "suffered a literal case of 'teacher burnout." Returning from lunch one day, he found flames leaping from his classroom window." Another mother despairs, "How do you tell your chid that contrary to what the teacher says, pin and pen are not homonyms?" But virtue lives on in some corners. One teacher "scrubs the desks in her classroom herself and sweeps...

Author: By William E. Mckibben, | Title: Three American Magazines | 6/23/1980 | See Source »

Well, maybe. Though there are an estimated 3,200 EVs of one kind or another in use today in the U.S., a number of problems remain. Not the least is that the electric car's image is still an ancient sepia-tint photograph, a little mildewed and smelling of old lace. To hot young engineers in Detroit-where the action nowadays is in computerized fuel injection, stratified charge engines and other technologies for saving gasoline-electrics are a scientific diversion. Wall Street's auto-industry analysts reflect that mood. Says Maryann Keller, a vice president of Paine Webber...

Author: /time Magazine | Title: Science: Volts Wagon Does It, Again | 6/16/1980 | See Source »

Green is such a calming color that many school walls are painted "educational green" to reduce the restlessness of students. Now educational green may have to yield to an even more soothing tint: "jailhouse pink." According to Alexander Schauss, director of biosocial research at City College in Tacoma, Wash., the sight of the color pink changes the secretion of hormones, thus reducing aggressiveness. A jail commander in San Jose, Calif., who has tested the theory says it works-for a while. Lieut. Paul Becker found that prisoners were less hostile for the first 15 minutes in a cell that...

Author: /time Magazine | Title: Behavior: Pink Clink | 11/26/1979 | See Source »

...whiskey. One picture at the museum, of a beautiful woman in a black bikini, lying on her back, horizontal, on bare sand, the straps released from her shoulders, and her face and thighs cropped by the frame, would not have looked out of place in Vogue. A bright flat tint of glamor clings to too many of Meyerowitz's pictures, a glamor that, in the commissioned St. Louis work, can verge on meretriciousness...

Author: By Larry Shapiro, | Title: Mirrors, Windows and Peaches | 1/10/1979 | See Source »

Newton-John aside, it is the special effects which do the most damage to an otherwise reasonable show. On the stage, nobody can get away with canned fant asies like the one Frenchy (Didi Conn) has in the malt shop after she has managed to tint her hair pink in beauty school. Having left Rydell High to learn how to shampoo and rinse, Frenchy is having one of those adolescent crises as to whether or not she has made the right decision by leaving school. Needless to say, her problem is hardly assuaged by a host of women with silver...

Author: By Laurie Hays, | Title: The '50s Were Never Like This | 7/7/1978 | See Source »

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