Word: tintorettos
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Dates: during 1950-1959
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...electrical-supply store in nearby Rosemead, who made a deal to act as the Folios' "agent." Di Renzo and his brother Jay called in Amadore Porcella, an enthusiastic authenticator described as a Vatican art expert. Porcella ticked seven of them off as a Caravaggio, a Lotto, a Tintoretto, and some assorted smaller fry. (In Rome last week he denied that he had identified the other three as a Raphael, another Tintoretto and a Titian...
...drive for a new museum were Local Banker Walter Bimson and Insurance Man George Bright, a recovered TB victim. Able, young Museum Director Forest Melick Hinkhouse, 34, soon had donations and art rolling in, ranging all the way from Van Dyck's Portrait of Charles I and Tintoretto's Portrait of a Nobleman to such modern works as Karel Appel's Portrait of Count Basie, John Hultberg's From a Car and Richard Diebenkorn's Woman by a Window...
...frames and then abandoned them. Though both are relatively low-rated by today's art buyers, the thieves probably were not exercising esthetic discrimination. For one thing, they had time to pilfer $40 from a cashbox, proving their main interest to be monetary. For another, they left a Tintoretto, another Renoir and a Degas untouched...
...Auden, Composer Francis Poulenc et al.) braved a motorboat strike and journeyed by gondola to Venice's 450-year-old Scuola di San Rocco, one of Italy's famed Renaissance religious schools, for the fall's most eagerly awaited musical event. In hushed expectation, beneath a Tintoretto ceiling, they watched 76-year-old Igor Stravinsky, with a clawlike motion of his right hand, launch the orchestra into the premiere of his latest work. What followed was some of the finest-and most complex-music of Stravinsky's career...
...well designed, the new Chrysler Art Museum features 76 oils and 12 sculptures, ranging from Hieronymus Bosch to Picasso. Valued at $1,700,000, the exhibition is but a fraction of Chrysler's total collection ("I began buying at 14, out of my allowance"), includes some topnotch masterpieces (Tintoretto's Flora, Titian's Portrait of the Admiral Vincenzo Capello, Soutine's Valet de Chambre), as well as some not-so-great works by great masters (Renoir's Pheasant, Derain's Renaissance-style Portrait of Lady Adby), which have good names if not topmost quality...