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Word: tintorettos (lookup in dictionary) (lookup stats)
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...greatly to his liking. There is an extensive U. S. group. The Italian collection is noteworthy, including a Tiepolo ceiling and a roomful of Primitives among which is an Aretino and a Segna di Bonaventura. There may also be seen a Fra Angelico. paintings by Carpaccio, Crivelli, Botticelli, Bellini, Tintoretto, Raphael, Paolo Veronese, Titian, Correggio, and 22 ceiling panels by Pinturicchio...

Author: /time Magazine | Title: Art: Sterile Modernism | 3/10/1930 | See Source »

...Last week Banker John Pierpont Morgan by the purchase of a Tintoretto for a reputed $100,000 made his first addition to his father's $300,000,000 collection of paintings, now partly dispersed...

Author: /time Magazine | Title: Art: Kentlings | 12/23/1929 | See Source »

...Gallery XVII there are several notable loans which will probably remain in the Museum's hands over the summer. Mr. Samuel Sachs of New York City has lent three pictures. Of these two are by Poussin, one representing the Holy Family and the other a classical scene. "Diana" by Tintoretto, a picture which Mr. Sachs lends annually to the Fogg for a period of six months, also appears in this gallery. John Nicholas Brown '22 has lent to the Museum an excellent picture by El Greco entitled "Saint Dominic." Most of the important paintings which were removed from this room...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 4/25/1929 | See Source »

...Tintoretto "Portrait of a Senator", presented to the Museum by the children of Charles Eliot Norton in honor of Norton's Centenary, celebrated yesterday at the Museum, is also exhibited, together with a Vittorio Criveili, a recent gift of Bernard Berenson '87, and Mrs. Berenson...

Author: NO WRITER ATTRIBUTED | Title: LOAN EXHIBITIONS IN FOGG MUSEUM REMOVED | 11/17/1927 | See Source »

...phase of the matter, with Cezanne's relation to the movement of Impressionism, nor with the more complicated experiments of his technique in the fundamentals of form and light. One can easily find in those works in display much that is Classical, much that shows the influence of Courbet, Tintoretto, Rubens, and Delacroix. But what is most important is the realization of the subjective character of the exhibition and the willingness to 'look again' in an endeavor to penetrate the wall of unphotographic reality which will probably, with the majority of observers, obstruct their view...

Author: NO WRITER ATTRIBUTED | Title: FOGG REPRODUCTIONS PRAISED BY REVIEWER | 4/9/1927 | See Source »

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