Word: tiomkin
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...success this season has been based on having a well-rounded team,” said co-captain Ben Schmidt, who went 35-18 during the dual season before finishing 22nd at NCAAs. Schmidt had qualified for nationals by upsetting defending U.S. foil champion Jon Tiomkin of St. John’s at the regionals...
...first round, Schmidt pulled off a huge upset, defeating No. 1 seed John Tiomkin of St. John’s, 5-3. Tiomkin was the 1999 national champion in men’s foil...
...semi-finals, however, it was Tiomkin who had the last laugh, narrowly edging Schmidt, 5-4. Schmidt’s only other loss in the round was another close 5-4 decision to NYU’s Aleksandr Nazarov...
...then, movie music is firmly in the romantic tradition. In accepting the 1954 Academy Award for his score for The High and the Mighty, Dimitri Tiomkin thanked "all those who helped me win this award--Johannes Brahms, Richard Strauss, Beethoven and Tchaikovsky." What sets the new composers apart, though, is their ability to combine disparate influences in the same score, drawing equally on rock, jazz, classical and folk influences. In Braveheart, for example, Horner melds the lonely sound of the Irish uillean pipes and the Peruvian flute with a modern symphony orchestra to portray Mel Gibson's doomed hero...
...curtain goes up, the theme from Dimitri Tiomkin's score for the movie Giant fills the theater, grand, swelling, as spacious as Texas. The irony is quickly apparent: the several women and one man who spend their time in the five and ten in McCarthy, Texas, are spiritual midgets, made small by life and their own tediously limited ambitions. But there is a double irony, invisible perhaps to those onstage: Playwright Ed Graczyk and Director Robert Altaian can also be counted among the Lilliputians, and it would take the talents of a logician to determine who should...