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Word: tiomkin (lookup in dictionary) (lookup stats)
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...Unlike many other Hollywoodians at large in the South Seas, Director Mark Robson never permits his camera to leer at the native girls as if they were so many Dorothy Lamours, but tells the story with a simple directness that matches the islanders' disarming ways. And Composer Dimitri Tiomkin has written a haunting melody that should do as well as his High Noon theme on the juke boxes, even if it is not up to South Pacific...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 20, 1953 | 7/20/1953 | See Source »

...timing and sharp, clean cutting. The picture builds from 10:40 a.m. to its high noon climax in a crescendo of ticking clocks, shots of the railroad tracks stretching long and level into the distant hills and of the hushed, deserted streets of Hadleyville. Throughout the action, Dimitri Tiomkin's plaintive High Noon Ballad sounds a recurring note of impending doom...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 14, 1952 | 7/14/1952 | See Source »

...Oregon-born brothers, Alex and David Tamkin, finished an operatic version in 1933. Met Conductor Artur Bodanzky saw it and liked it, but died before he could get it produced. Over the years, The Dybbuk inhabited several other composers, among them Hollywood's Dimitri Tiomkin. Two years ago, excerpts from the Tamkin work were presented in Portland, Ore. Last season the New York City Opera scheduled a production, but postponed it "for economy." Last week the Tamkin Dybbuk finally found fulfillment, and Manhattan's City Center Theater was packed for the world premi...

Author: /time Magazine | Title: Music: The Dybbuk | 10/15/1951 | See Source »

...flaws are such minor ones as Dimitri Tiomkin's musical score, which is so overexcited that it sometimes gets in the way of the action. Director Fred (The Search) Zinneman's sensitive work clearly places him in the first rank of screen directors. The film is full of fine performances, especially by Actors Sloane and Webb and Actress Wright. Broadway's Marlon Brando, in his first movie appearance, does a magnificent job. His halting, mumbled delivery, glowering silences and expert simulation of paraplegia do not suggest acting at all; they look chillingly like the real thing...

Author: /time Magazine | Title: The New Pictures, Jul. 24, 1950 | 7/24/1950 | See Source »

Solovieff, Prokofieff, Tiomkin, Korestchenko...

Author: /time Magazine | Title: Radio: Git Gat Gittle | 3/11/1946 | See Source »

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