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...projects still on Carter's list. (The lone loser: the $1 million Grove Lake, Kans., flood-control project.) Carter met three times with the subcommittee chairman, Alabama Congressman Tom Bevill, 56, with little result. The President then enlisted the aid of House Majority Leader Thomas ("Tip") O'Neill Jr., who was only able to persuade Bevill to cut small sums from five of the projects. Next O'Neill went to Texas' George Mahon, chairman of the full Appropriations Committee, which passes on Bevill's work. "Tip," said Mahon, "you're right-but there...

Author: /time Magazine | Title: The Nation: Gunfight at the Capitol Hill Corral | 6/6/1977 | See Source »

...seen anybody puke, Shapiro grinned weakly, very weakly, and said, "It's all right sir--the white wine came up with the fish." When he came back from the restroom after cleaning up as best he could, he found...-nobody. The bill was paid; DuPont had even left a tip. The patriarch came, saw, and spirited away his little family as fast as possible. The young man had vomited on his wife. There was a little note left on a silver tray. It read simply, for DuPont was not an eduducated man, and no stylist...

Author: By Joseph Dalton, | Title: Any last words, buddy? | 5/27/1977 | See Source »

...Capitol Hill, House Speaker Tip O'Neill rapped Brown's knuckles last month for lobbying too hard against a proposed $4 billion cut in Carter's defense budget request of $120.4 billion for fiscal 1978. But aside from that, Brown has turned out to be an excellent Pentagon advocate on the Hill, neither talking down to Senators and Representatives nor overwhelming them with facts, as McNamara used to do. Among other things, he moved quickly to reassure Congressmen in the face of warnings that the Soviet Union was rapidly achieving military superiority over the U.S. This might be Brown...

Author: /time Magazine | Title: The Nation: NO LONGER A KID BUT STILL A WHIZ | 5/23/1977 | See Source »

...subject, working over it first in pure red, then in blue and finally yellow; the overlays, as in three-color printing, produce "natural" color. The camera is focused on the sitter's eyes, and the photo's depth of field is so small that the tip of the nose blurs, and one can see as many differences of sharpness in Close's beard or Linda's tangle of rusty curls as among the stalks of a wheatfield. These blurs and elisions are rendered with exquisite accuracy...

Author: /time Magazine | Title: Art: Blowing Up the Closeup | 5/23/1977 | See Source »

Keith Avery's Ssss is too adept at languishing and might fade away altogether if it weren't for the glowing tip of his cigarette and the intriguing pattern of color stroked over his body...

Author: By Anemona Hartocollis, | Title: Cranapples | 5/17/1977 | See Source »

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