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They are, in fact, the adorable inheritors of a threatened Irish subculture, that of the Travellers, or Celtic Gypsies. It is their grandfather, who continues to follow the old, threatened ways, who brings the animal he calls ! Tir na nOg (Land of Eternal Youth in Gaelic) to them in the unhappy Dublin housing project where they live with their father (Gabriel Byrne), who abandoned his free-roving heritage after his wife's death...

Author: /time Magazine | Title: My Friend Tir na nOg | 9/27/1993 | See Source »

...never mind. Televised westerns have filled the gap, imbuing them with the spirit of benign outlawry. They assert it first in the richly comic sequence in which they try to hide their horse from the police (who are in league with a rich man who wants to turn Tir na nOg into a champion jumper) in their tiny apartment. They maintain it as they move on into the west, where one of their refuges is, appropriately, a movie theater closed for the night. The sweetly funny improvisations of their flight through the Irish countryside all help them to resist sentimentality...

Author: /time Magazine | Title: My Friend Tir na nOg | 9/27/1993 | See Source »

...subsequent designs, Hockney used diverse sources, balancing eclecticism against hedonism: Tiepolo's punchinello figures and Picasso's own designs for Satie's Parade; the paintings of Dufy and Matisse for the imaginary seaside town of Zanzibar in Poulenc's Les Mamelles de Tirésias; Matisse again for the blazing and mysterious red-and-blue moonlit garden in Ravel's L 'Enfant et les Sortilèges; Chinese vase painting for Stravinsky's Le Rossignol...

Author: /time Magazine | Title: Art: All the Colors of the Stage | 12/5/1983 | See Source »

...real answer, as the Met staged its first new production of a season shortened by labor disputes. It was a trio of French works, with the umbrella title of Parade. The idea of presenting Satie's slight ballet Parade, Poulenc's absurdist opera buffa Les Mamelles de Tirésias and Ravel's L'Enfant et les Sortilèges came from Met Production Adviser John Dexter. The common theme was not World War I (though with effort all the pieces can be connected to it) but the devices of British Artist David Hockney...

Author: /time Magazine | Title: Music: A Vivid Gallic Trio at the Met | 3/2/1981 | See Source »

...harriers, tune in Monday for the latest on their whereabouts, the results of the tir-meet itself, and a complete gourmet-guide for traveling musicians and sports teams...

Author: By Sara J. Nicholas, | Title: Where Have All the Runners Gone? | 10/18/1980 | See Source »

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