Word: titian
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Dates: during 1930-1939
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Giorgione, Titian, Tintoretto, et al. If pressed to name his favorite Uncle Sam will smile; he doted on all of them, but might admit that Duccio di Buoninsegna's The Calling of St. Peter and St. Andrew (purchased for $250,000 through Lord Duveen four years ago from the Clarence Mackay collection) was perhaps his best-loved "child...
Just a year ago, Harold LeClair Ickes. then 64, slipped away from Washington, sailed to Ireland and there, in Dublin, made screaming headlines for London papers by marrying titian-haired Jane Dahlman, 25, of Milwaukee. Last week at a press conference the press-baiting Secretary of the Interior blushed handsomely when asked if Washington gossip was true, that he was once more to become a father (in September).* Replied forthright Mr. Ickes: "I have hopes. It's great to be in public life, isn't it? ... What we need is a little more liberty from the press...
From Propaganda Minister Dr. Paul Joseph Goebbels came a symposium of German movies from 1910 to 1939. Labor Front Leader Dr. Robert Ley presented a Volkswagen, the cheap German-manufactured car not yet available to the public. For the Reichsbank Dr. Walther Funk gave a version of Titian's Venus at the Mirror which official Germany now accepts (although many art critics do not) as one of two authentic originals of this painting...
...textures, transparencies and color subtleties of the skin, have made nude painting what Bernard Berenson called "the most absorbing problem of classic art." To do the subject justice an exhibition would have to include several items not visible at Knoedler's. Among them: 1) a nude by Giorgione, Titian's great Venetian contemporary; 2) an example of the mighty figure painting of Michelangelo; 3) one of Rubens' rubicund exaltations of Flemish flesh; 4) more significant examples of choice modern work, both in the old tradition...
...sensuous space, serenity and golden sublimation, visitors could look on Titian's Lady at the Mirror. Across the room Veronese's Venus at her Toilet turned her opulent, cool and massive back. A pig-eyed, swollen-bellied little courtesan appeared in Lucas Cranach's delicately painted Nymph Reposing. From the 17th Century came a dusky Landscape with Nymphs and Satyrs by France's great Nicolas Poussin. How nude painting became stage prettiness and erotic folderol in 18th-and early 19th-Century France was almost too amply demonstrated in pictures by Watteau, Boucher, Baudouin, Girodet and Prud...