Word: titian
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Dates: during 2000-2009
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...began his apprenticeship with a painter of religious scenes and former pupil of Titian, in Milan. Why did he choose art? Why did he abruptly leave Milan for Rome in 1592, in what would be the first episode of a long series of abrupt departures? Little is known of Michelangelo Merisi da Caravaggio, for he did not like to write; he did not even draw, or sketch. Or, if he did, he destroyed all traces, as if he had been afraid of someone following him, trying to figure...
...first view most of the world had of Dubrovnik was of its red-tiled roofs disappearing behind clouds of black smoke during shelling by Serb and Montenegrin artillery in the fall of 1991. The threat to this walled medieval city on the Dalmatian coast, with its Renaissance palaces, Titian masterpieces and lemon-scented cloisters, brought home the pointlessness and savagery of the Balkan wars. Carla del Ponte, chief prosecutor at the International War Crimes Tribunal for the Former Yugoslavia, recalls being horrified by the attack. "I could not believe," she says, "that someone--anyone--could have fired a single shot...
...which opens this week at London's National Gallery and runs through May 23. Born in 1541, Theotokópoulos moved to Venice soon after 1566, and then to Rome in 1570, where he lived in the Palazzo Farnese. While in Italy, he learned from Renaissance masters like Titian, Tintoretto and Michelangelo, and Mannerists like Parmigianino. He readily took on their style; one of several versions of the Purification of the Temple, from the 1570s, quotes extensively from Raphael and Michelangelo. Yet he failed to find great success in Italy, possibly because he made disparaging remarks about Michelangelo, and thus...
...that looked east in artistic matters to the traditions of the Byzantine. By his 20s he was already a recognized local practitioner of the religious-icon style. His gifts and ambition eventually took him to Venice, where his art was transformed by the twisting energies and sensual palettes of Titian and Tintoretto, all of which he turned to his own purposes. In The Purification of the Temple, a scene that he produced in many versions over the years, the poses are borrowed from Michelangelo and Tintoretto, among other sources. And the temple is the familiar architectural space of Italian painting...
...popular he doesn't even need a name. The Basilica del Santo is the resting place of St. Anthony - known simply as il Santo - a humble 13th century Franciscan monk. The massive church, with its mixture of Christian and Islamic influences, brims with artwork by Donatello and Titian, and annually attracts 4 million visitors and pilgrims. Surprising gothic thrill: one of the relics on display is Anthony's calcified tongue and jaw. Just down the road lies the Prato della Valle, the so-called field with no grass that's now a vast piazza of fountains and statues. Think Place...