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Some artists go out in a blaze of glory. Titian is an obvious example: his dark, sketchy late work would be influential for centuries. Van Gogh is another: The Starry Night was produced by a man who would take his own life the following year. Pierre-Auguste Renoir went out in a blaze of kitsch. At least, that's the received opinion about the work of his final decades: all those pillowy nudes, sunning their abundant selves in dappled glades; all those peachy girls, strumming guitars and idling in bourgeois parlors; all that pink. In the long twilight...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

...political caricatures seethed with outrage, the man himself was gentle--he was happiest in a museum, studying Titian and Tintoretto, or with friends at his Wednesday-night life-drawing class, which he co-hosted for half a century...

Author: /time Magazine | Title: David Levine | 1/18/2010 | See Source »

...break down, it improves. In the course of Harvard life, I don’t often get to send emails that start off with, “How’s the Chinese medicine practice going? Are you still living on the commune?” (To Caite, my titian-dreadlocked Australian neighbor in Zanzibar...

Author: By Anita J Joseph | Title: Heart and Seoul | 8/11/2009 | See Source »

VENICE, Italy — Venice presents a visual marathon, hinting at a city that can never hold enough examples of different methods of presentation, decoration, or commemoration. From the Renaissance paintings by Titian, Tintoretto and Veronese to the Gothic architecture of the basilicas, from the gaudy Venetian masks that are marketed to tourists to the simple red geranium flowers that bedeck the palazzos of the Grand Canal, one’s eyes are eternally entertained...

Author: By Emmeline D. Francis | Title: The Art of Contrast | 7/1/2009 | See Source »

...have raised questions about his dealings in the art world—Berenson was friendly with and respected by the foremost literati of his day such as Oscar Wilde and Henry James. His word was often the only authority needed to verify the authenticity of a Da Vinci or Titian, and consequently, Berenson was an indispensable friend to collectors and dealers across the world.But perhaps Bernard Berenson’s greatest legacy was the villa which he called his own, and which became very much a part of who Berenson was—Villa I Tatti...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: Art Scholar Bequeaths Villa to Harvard | 6/1/2009 | See Source »

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