Word: titians
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Dates: during 1960-1969
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...richest and most powerful city-state. More leisurely visitors sipped wine in the chiaroscuro atmosphere of the Florian Café, where modern expatriates from Ezra Pound to Peggy Guggenheim have gathered to talk. Almost everyone, some time during his visit, found time to marvel at the frescoes of Titian and Tintoretto, the sculpture of Rizzo and Verocchio, and the majestic bell towers and loggia of Buon and Sansovino...
Next, a gang of thieves try to bully Fidelman into art forgery. He proves to be possibly the first copyist in the world with painter's block. But when he finally does manage to complete a counterfeit of Titian's Venus of Urbino, he likes the fake so much that he steals it back from the thieves in preference to the real thing. Skillfully Malamud somehow turns this gesture into a superbly comic act of integrity...
...subject that will support any amount of black humor and white rage, fire-bombing of Dresden-which he lived through as a war prisoner. In Pictures of Fidelman, Bernard Malamud writes of an impoverished painter who outwits a gang of forgers who force him to turn out a new Titian. From Paris comes The Fruits of Winter, the new Prix Goncourt winner that was the occasion for enough scheming and plotting on the part of the prize jury (TIME, Nov. 29) to provide material for a brilliant satire. The winning author is Bernard Clavel, and his story, modeled...
...most popular masterpieces owned by Washington's National Gallery. Yet the question of who did it is surrounded by acrimony. Art Dealer Joseph Duveen and Critic Bernard Berenson broke off their friendship after an argument over whether it is by Giorgione or by his protégé, Titian. The scarcity of Giorgione's work compounds the problem. He died in his early 30s, and left behind only six or seven paintings. Thus, when Duveen bought The Adoration, he preferred to think of it as a rare Giorgione, and offered it to Andrew Mellon for $750,000. When...
...master's hand. With that, Samuel H. Kress bought the painting. Was Berenson wrong? Perhaps. In later years, even he grudgingly admitted that the painting had been done "in part" by Giorgione. But he refused to yield on his main point that "it was probably finished by Titian...