Word: titians
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Dates: during 1990-1999
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...pink -- is bright and boring. Yet you could never write De Kooning off. He came back in the late '70s with some big, rapturously congested landscape-body images with a deeper tonal structure that, though they do not support the comparisons to late Monet, Renoir, Bonnard "and, of course, Titian" that David Sylvester makes in his catalog essay, certainly confirm that the movement of De Kooning's talent was not on-off, but ebb and flow...
Last Sunday, we paid another visit to directress/raconteur Erica Werner in her faux-Titian dorm room. Outside it was cold and dreary, but inside we found Ms. Werner in fine fettle, cooing merrily at her Bonsai tree. Clad in a chain-metal sheath and matching elbow-length gloves, both by Gaultier, with hair by Vidal Sassoon, Ms. Werner discoursed savvily on topic ranging from the Knights Templar to the common cold. As always, we were impressed by her smarts. But we were not where we were--that is, in the presence of genius disguised as high fashion--to engage...
...brighter look, once revealed, is certain to generate debate. Says Mancinelli: "((The fresco)) wasn't painted in Tuscan color that you might associate with Michelangelo, who spent much of his life in Florence. Rather he used the warm palette of Venice. Obviously Michelangelo had seen the works of Titian and was influenced by them...
When you look at a Watteau fete champetre, an Impressionist boating party or certain Matisses, you are seeing the long-range results of Titian's and Giorgione's invention of the pastoral mode in art: the landscape of pleasure, the earthly paradise derived from Latin literature, with its shepherds, gallants and nymphs. The picture that starts this long train is Titian's Concert Champetre, circa 1509, which is one of the most hermetic and disputed images in all Western art. It gets about 27 columns of dense text in the catalog, chewing over its literary sources, the presence...
...Sublime Titian Show...