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...Titian was the son of a provincial notary, born in Pieve di Cadore, in north Italy, in 1478 or 1479. Apprenticed to a Venetian artist before his 10th birthday (no child labor, no Renaissance), he came to work with the two painters whose work incarnated the "modern style" that had pushed Venetian taste away from gold-ground Gothic: Giovanni Bellini and Giorgio da Castelfranco, alias Giorgione. One sees, in the introductory galleries of this show, how Bellini supplied the prototypes for one side of early Titian, his suave construction of pictorial space and pragmatic realism. Then, equally fundamental, there...

Author: /time Magazine | Title: Art: Brush With Genius | 4/12/1993 | See Source »

Though history does not record how other Venetian painters felt about competing with Titian, it cannot have been easy for them. Especially not for Tintoretto, a genius of the first rank, whom Titian's longevity compelled always to be a runner-up. Titian's work, so masterly in its effects, so profoundly inventive, so grand in scope and yet relieved by such suppleness and intimacy of feeling, continued to set the tone of aspiration for Rubens in the 17th century and, through Rubens, for painters like Delacroix well into the 19th...

Author: /time Magazine | Title: Art: Brush With Genius | 4/12/1993 | See Source »

...gleaming black weapons of his vocation, a dense still life with religious overtones (the handle and pommel of the sword are also a cross), the bony silence of the knight's face contrasting with the open mouth of his page. But the most enduring product of the relation between Titian and Giorgione was the pastoral...

Author: /time Magazine | Title: Art: Brush With Genius | 4/12/1993 | See Source »

When you look at a Watteau fete champetre, an Impressionist boating party or certain Matisses, you are seeing the long-range results of Titian's and Giorgione's invention of the pastoral mode in art: the landscape of pleasure, the earthly paradise derived from Latin literature, with its shepherds, gallants and nymphs. The picture that starts this long train is Titian's Concert Champetre, circa 1509, which is one of the most hermetic and disputed images in all Western art. It gets about 27 columns of dense text in the catalog, chewing over its literary sources, the presence...

Author: /time Magazine | Title: Art: Brush With Genius | 4/12/1993 | See Source »

...Sublime Titian Show...

Author: /time Magazine | Title: Time Magazine Contents Page | 4/12/1993 | See Source »

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