Word: titians
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
TREASURES FROM THE FITZWILLIAM MUSEUM, National Gallery of Art, Washington. Highlights of the collection built up by British connoisseurs over two centuries at Cambridge University's Fitzwilliam, including paintings by Titian, Rubens and Delacroix, manuscripts, ceramics, sculpture and decorative arts. Through June...
...Jacob Burckhardt, the 19th century cultural historian best known for his The Civilization of the Renaissance in Italy (1860). Burckhardt's study of Italian altarpieces, originally published in German a year after his death in 1897, remains magisterially informative. And the accompanying reproductions, including work by Botticelli, Fra Angelico, Titian and Michelangelo, do more than supplement Burckhardt's text. They provide miraculous glimpses of an age when the artistic impulse and religious devotion were one and the same...
...here represented by the Landscape with Nymph and Satyr Dancing, 1641 -- but Roman architecture does not include a stern call to Roman virtue and gravity. Arcadia's weather is always equable, and its views intimate and mellow. Above all, its location is not too far out of town; Giorgione, Titian, Rubens and other pastoralists never fail to include the reassuring sight of a martello tower or a farmhouse in the middle distance...
Artists, often quite dissimilar ones, share common sources. The themes of pastoral delight, installed in Venetian art by Giorgione (represented here with one rare, very rubbed drawing) and given monumental form by Titian, spread south and north through the influence of the Giorgionesque engravers Giulio and Domenico Campagnola. Watteau copies one Campagnola landscape; Rubens takes a motif from another, Rembrandt from a third. These hard, wiry- lined little engravings, with their slightly metallic nudes and sudden dark explosions of vegetation, are to the circulation of ideas about landscape what Marcantonio Raimondi's copies after Raphael are to the human figure...
...Mediterranean, of an elegiac classical past. The figures in Matisse's fauve landscapes at St.-Tropez -- amply represented in this show -- are Arcadians with spots. The pale recumbent nude among the columnar tree trunks in his Nymph in the Forest, 1935-42 or '43, harks directly back to Titian. The flute player in Henri Rousseau's The Happy Quartet, 1902, whose music is joined by the howling of a giant white poodle, is a reprise of innumerable earlier pastorals. Gauguin was partly a reprise of Watteau, each in his own way imagining fugitive pleasure on a distant island, Cythera equaling...