Word: titians
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...many years past about the iniquity of the way Italian pictures particularly are being skinned alive by restorers." Other letters pointed out various masterpieces in London's National Gallery which may have ceased to be masterpieces through too much cleaning. Among them: pictures by Giovanni Bellini, Botticelli, Titian, Rembrandt, Velásquez, and even Leonardo's great Virgin of the Rocks. Leonardo's figures, wrote one angry correspondent, "are now bathed in a light only seen on the faces of the dead; or the neon lighting of a coffee...
...Bernard Berenson, the precocious art critic who had hobnobbed with his professors as a Harvard undergraduate. Mrs. Jack lent him money to study in Europe after he graduated, an investment which paid off in opportunities to buy great paintings she could not without his aid. Through him, she bought Titian's "Rape of Europa," called by many critics the most important picture in America...
...years before his death in 1510. What is known is that when he died in Venice from the plague, at about the age of 33, the gentle beauty of paintings like his famous Tempest had established such a vogue for scenes of Arcadian reverie that a decade later, even Titian was still turning them out to meet the customers' demands...
...clear the air, Venice last month quietly issued a revised catalogue for the Giorgione show. A Self Portrait, originally called "unquestionably an original," became "probably" one. A Masculine Portrait now became "probably" Titian's; a Pieta, "tenably" the work of Titian's little-known brother, Francesco Vecellio. In Rome, one art authority snorted: "The Giorgione show is a scandal. It's costing everyone connected with it face." A more serious problem facing an art market already overloaded with fake Giorgiones was pointed out by Turin University's Anna Maria Brizio: "Unfortunately, there is in the show...
...National Gallery's Italian Renaissance collection has always been topnotch, except for high-Renaissance (16th and 17th century) art. The Kress gifts will correct that weakness as well, if only by the announced addition of three masterpieces, by Titian, Tintoretto and Veronese, from the golden age of Venice. Zurbaran's big convent picture will give new weight to the Spanish section, and Watteau's charming Ceres will add a lift to the 18th century French collection...