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...storyteller. This search takes her, inevitably, to Sar-e-Sang mine in northern Afghanistan, the main source of lapis. "The first 20 meters would have given the stones for the Egyptian tombs," she writes. "A little later was where the Bamiyan Buddhas got their haloes." Deeper down was "where Titian may have got his sky from?a whole art history in one little pathway...

Author: /time Magazine | Title: The Color of Passion | 12/8/2002 | See Source »

...them is the smallest, a tiny wooden carving - whittling, really - of the crucifixion torso, which manages to compress into its less than 30-cm-high block the tragic pathos of his late, unfinished stone carvings, such as the Rondanini Piet?. (The catalog also compares the carving to late Titian, late Rembrandt and the late quartets of Beethoven, and not without reason...

Author: /time Magazine | Title: Mighty Medici | 12/5/2002 | See Source »

...century Cathedral of San Lorenzo and the nearby Chiesa del Gesu, which houses two paintings by Rubens. A major exhibit of paintings and manuscripts, "Travel in Italy: a Magic March from the 1500s to the 1900s," at the Palazzo Ducale through July 29, features works by Michelangelo, Raphael, Tiepolo, Titian and other greats. On Via Garibaldi, you will find both the Palazzo Bianco and the Palazzo Rosso, two museums with excellent collections of Flemish and Dutch paintings...

Author: /time Magazine | Title: Business Class: A Side Trip to Portofino | 7/16/2001 | See Source »

...likings. The painters he really disliked relied on color and modeling by tone, "broken lines, broken masses, and broken colors. Their art is to lose form." Whereas his was "to find form, and to keep it"--by means of pure outline drawing. The villains of his scheme were Titian, Rubens and Rembrandt: "a class of artists, whose whole art is fabricated for the purpose of destroying art." True art was linear, clear, like Raphael, Durer, Michelangelo and antique sculpture--and, Blake didn't hesitate to add, his own. The very thought of Sir Joshua Reynolds, president of the Royal Academy...

Author: /time Magazine | Title: Art: Chatting With The Devil, Dining With Prophets | 6/18/2001 | See Source »

...Cuno’s words, the broad range of Venetian Renaissance art, coupled with the rarity of these pieces, create an extraordinary show. Spanning over 200 years of Venetian Renaissance art, the paintings range from 14th century iconic religious scenes to naturalistic portraits from the 16th century. An early Titian drawing entitled “Trees near a pool of water,” display foliage drawn in fluid, quick strokes. The subtle contrasts in tone result in a rich texture of light and shadow. Another rare drawing by Titian, entitled “The Submersion of the Pharaoh?...

Author: By Joyce Kwok, CONTRIBUTING WRITER | Title: The Sacred and Profane | 5/4/2001 | See Source »

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