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...surrounded by Madonnas and Byzantine icons, it was as if I had walked right into 14th century Renaissance Venice. Harvard Fogg Art Museum’s “Sacred and Profane Visions from Renaissance Venice,” showcasing 30 paintings and prints by Renaissance masters such as Titian and Bellini, comprising of collections from the Museum of Fine Arts to the Louvre, may quite well be one of New England’s most exciting exhibitions this year...

Author: By Joyce Kwok, CONTRIBUTING WRITER | Title: The Sacred and Profane | 5/4/2001 | See Source »

...necessarily venal ones, either) and patrons (no more stupid than the ones we have today) lined up, jostling to kiss the artists' nether parts. The artists were laden with gold medals, garlands and titles of honor. They were seen as tradition incarnate, worthy successors to Rubens, Donatello and Titian. Powerful systems of taste enforcement--ministries of fine arts, academies, salons--underwrote the promise of their immortality...

Author: /time Magazine | Title: Art: The Stuff Modernism Overthrew | 6/5/2000 | See Source »

...what Picasso did for America and Europe in the 20th century. Perhaps less obviously, Velazquez did the same for Spain in the 17th century. He showed that the nation's painting need not be provincial, that it could be open to Europe and, especially, to such Venetian masters as Titian. Titian had made masterpieces for Philip II of Spain; now Velazquez would work on the same scale for Philip IV, grandson of Titian's patron. With Velazquez at the court, Spain no longer needed to import its talent from abroad...

Author: /time Magazine | Title: Art: Spain's Conquistador | 12/27/1999 | See Source »

...unified whole. Gardner stipulated in her will that the collection remain exactly as it was originally curated; however, there are occasional rotating exhibitions of contemporary artwork. Currently on display: "Threads of Dissent" The museum also offers concerts on Saturdays and Sundays at 1:30. Not to be missed: Titian's deservedly famous "Rape of Europa...

Author: By Annie Bourneuf and John Hulsey, CONTRIBUTING WRITERSS | Title: The Field Guide: Part One of Our Guide to Boston Visual Art | 10/29/1999 | See Source »

...16th century Italian painter Dosso Dossi (1486?-1542) isn't a big name in America, unlike his contemporaries Titian, Raphael and Michelangelo. In fact, the show of his work that has just opened at the Metropolitan Museum of Art in New York City--it was shown late last year in his home city of Ferrara, and will go to the J. Paul Getty Museum in Los Angeles in April--is the first retrospective he has ever had. It comes on the 400th anniversary of the dispersal of most of his work, which was taken from Ferrara by papal edict...

Author: /time Magazine | Title: Art: Puzzles of A Courtier | 2/1/1999 | See Source »

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