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...Once you reach that politically-incorrect mindset, the play is a delight. The story concerns a young man of the Japanese town Titipu, Nanki-Poo (Jonas A. Budris ’06), who tries to woo Yum-Yum (Annie E. Levine ’08) away from her fiancé Ko-Ko (W. Brian C. Polk ’09). Rather inconveniently, Ko-Ko also happens to be both Yum-Yum’s guardian and the Lord High Executioner of Titipu, with a quota to meet...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: 'The Mikado' Makes For Good Fun | 12/3/2007 | See Source »

...Caline Yamakawa)--but their amours were frustrated by the fact that the tailor Ko-Ko (Paul D. Siemens '98), the guardian of Yum-Yum and her sisters, planned to marry the girl himself. As the play opens, Nanki-Poo has returned to Yum-Yum's town of Titipu after hearing that Ko-Ko has been sentenced to death for violating one of the Mikado's laws. Unfortunately, as the town officials genially explain to him, Ko-Ko isn't dead--on the contrary, he's been promoted to Lord High Executioner, the highest civilian position available...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: 'Mikado' Through Anime Eyes | 12/12/1997 | See Source »

Against such a solid field of performances, though, the show's standouts come from several of the purely comedic roles. Jason R. Mills '99 delivers the show's most delightful comic performance as Pooh-Bah, the state advisor who has taken upon himself all of Titipu's offices except that of executioner. Managing to make one of Gilbert and Sullivan's most enduring and well-known characters unusually likable, Mills retains the character's indispensable stuffiness: "I can trace my ancestry back to a protoplasmic primordial atomic globule," Pooh-Bah sniffs genially, as he explains his haughtiness to Nanki...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: 'Mikado' Through Anime Eyes | 12/12/1997 | See Source »

...aesthetic conception of this production is intriguing. The "town" of Titipu has been transformed into "Titipu, Inc."--a software mega-corporation--and the noblemen of the town become identically-suited business executives who try to juggle their brief-cases, beepers and cellular phones to amusing effect. The "schoolgirl" chorus which accompanies our recently-graduated heroines has been transformed, through a stroke of sheer genius, into a hyper-modernized version of the Japanese schoolgirl: the archetype found ubiquitously in the cartoons (anime) which permeate Japanese popular culture. Decked out in characteristic anime schoolgirl uniforms--white blouses, hot pink neckties, suggestively tiny...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: 'Mikado' Through Anime Eyes | 12/12/1997 | See Source »

...more come to Cambridge, this time in a delightful production of the one sure-fire hit of them all, The Mikado. Enlivened by the sparkling choreography of Adele Hugo, the Winthrop House Musical Society has presented a lively and original interpretation of the fantasy of love and intrigue in Titipu. Best of all, it has managed to compress on the tiny stage of the Winthrop Junior Common Room a great deal more activity than is usually seen in amateur Gilbert and Sullivan productions...

Author: By Joseph P. Lorenz, | Title: The Mikado | 4/17/1952 | See Source »

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