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Other than her mother, Carson elegizes three historical women in the titular essay of the volume, “Decreation: How Women Like Sappho, Marguerite Porete and Simone Weil Tell God.” The intense intellectual consideration of these women and their conceptions of decreation (what Weil articulates as the necessity “to undo the creature in us” and what the other women demonstrate is the expulsion of self in order to accommodate a deity) leads to a mediation on their merits and martyrdom in an opera of the same title, “Decreation...

Author: By Casey N. Cep, CONTRIBUTING WRITER | Title: ‘Decreation’ Offers Slice of Anne Carson | 10/13/2005 | See Source »

...flesh by Dominique Serrand’s production of Georges Bizet’s operatic masterpiece “Carmen,” which finished its five-week run at the Loeb Drama Center on Saturday.“Carmen” follows the ill-fated attraction between its titular heroine, a tempestuous femme fatale, and Don José, the Spanish corporal who uproots his life in order to pursue her. Don José forsakes his post—as well his engagement to his childhood sweetheart Micaëla—in order to follow Carmen and her entourage...

Author: By Rachel E. Whitaker, CRIMSON STAFF WRITER | Title: Carmen Sizzles, But Romantic Chemistry Fizzles | 10/11/2005 | See Source »

...confidently initiated the concert with Sergei Prokofiev’s “Suggestion Diabolique,” a piece more deserving of the title “Overstatement Diabolique.” Beginning with a low bass rumble, it quickly erupted into fiery, insistent repetitions of the titular motif. Prokofiev reemerged later on the program with Nora I. Bartosik’s ’08 spirited performance of his “Toccata,” opus 11. Unfortunately, the mediocrity of the piano itself detracted from all the performances—and Bartosik?...

Author: By Madeleine J. Baverstam and Jennifer D. Chang, CRIMSON STAFF WRITERSS | Title: Harvard Piano Society Season Opens Strongly | 10/11/2005 | See Source »

...whimsical, Ella Fitzgerald-like tone on the titular track is adorable and catchy. “O’Sailor” evokes the tempestuous 18-year-old girl with whom I fell in love, but is sung with the distance of experience. She strains voice and emotions in several songs, but they don’t undermine the overall innovation...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: New Music: Fiona Apple | 10/7/2005 | See Source »

Perhaps the strangest part of the video is its absurd abstraction of the titular call-out for immolation. Lots and lots of people put their cigarette lighters up to show support for Kim’s flaunting of the judicial system, but there are also an alarming number of shots of people shooting flame-throwers. In my kind of Li’l Kim video, that would be a sexual metaphor. Here, it’s just silly. You’re silly, Li’l Kim! Go to jail! Do not pass go! Do make sexier videos...

Author: NO WRITER ATTRIBUTED | Title: Pop Screen: Li'l Kim, My Chemical Romance, Interpol | 10/7/2005 | See Source »

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