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Like Figaro, the titular character in Rossini’s opera “The Barber of Seville,” Lawrence E. Adjah ’06 is a jack-of-all-trades...

Author: By Daniel J. Hemel, CRIMSON STAFF WRITER | Title: A Staunch Advocate for Divestment | 6/9/2005 | See Source »

...Literature and Arts A-86, “American Protest Literature from Tom Paine to Tupac” pack lecture halls at Harvard. After reading Aesop’s lyric “the villain of my Kabuki hologram cuz I hobble with hollow hands” (from the titular track of 1999’s “Float”), an enthusiastic Professor of English and American Literature and Language Gordon L. Teskey felt compelled to mention that “a good deal of English verse of the sixteenth century, before the emergence of iambic pentameter...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Aesop Rock, King Poetic? | 5/5/2005 | See Source »

Arthur Kopit’s “Y2K” was written in 1999, when the fears that a massive technological glitch would bring about worldwide destruction were at their height. Though the titular epoch has passed, the story about a young “power couple” whose identities are stolen by a somewhat maddened young computer hacker remains truthful, frightening and, ultimately, thrilling...

Author: By Mary CATHERINE Brouder, CRIMSON STAFF WRITER | Title: Hacker Thriller Hits Close to Home | 5/5/2005 | See Source »

...film follows the travails of Turner, a black G.I. based in France, who is issued the titular three-day pass upon receipt of his promotion. Turner decides to make use of leave by exploring Paris, and during this urban excursion he meets a lovely, white French woman named Miriam. A brief affair leads to tragedy when Turner’s white superior officers learn of his interracial romance...

Author: By Bernard L. Parham, CONTRIBUTING WRITER | Title: The ‘Story’ of Van Peebles | 5/5/2005 | See Source »

...Literature and Arts A-86, “American Protest Literature from Tom Paine to Tupac” pack lecture halls at Harvard. After reading Aesop’s lyric “the villain of my Kabuki hologram cuz I hobble with hollow hands” (from the titular track of 1999’s “Float”), an enthusiastic Professor of English and American Literature and Language Gordon L. Teskey felt compelled to mention that “a good deal of English verse of the sixteenth century, before the emergence of iambic pentameter...

Author: By Will B. Payne, | Title: Aesop Rock, King Poetic? | 5/4/2005 | See Source »

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