Word: toasting
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Dates: during 1960-1969
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Rhetorical Blight. Conservative William F. Buckley, who likes Nixon but loves style, delivered a toast in acid. To him, "the striking passages of his address had to do with the human spirit. These passages he could speak feelingly because he is the primary American exemplar of the triumph of the human spirit over adversity. The astronauts never had such dark and lonely moments as Nixon had, and out of that experience he fashioned a philosophy which is essentially hopeful." Still, he found banal passages: "We are going to turn our swords into plowshares yes yes yes." Buckley also detected...
...power play by the CIA to maintain the United States' dominant position in Latifundia, a fictional South American country, sounds like the inevitable background for one more pale carbon copy of The Ugly American. Classified communiques pop up like toast at the breakfast table, a recording device is hidden in a tie clip, new leaders are found by a spin-the-bottle technique, and the real rapport between nations rests on a Jellolike foundation of friendship between Latifundia's President and the American ambassador. Despite the apparently insurmountable handicap of so familiar a scenario, Robert Wool has managed...
Died. Charles Munch, 77, famed conductor who led the Boston Symphony Orchestra with elegance and éclat from 1949 until 1962; of a heart attack; while on concert tour; in Richmond, Va. In the 1930s, Munch was the toast of Paris, where he was known as le beau Charles. Summoned to Boston to replace the old autocrat Serge Koussevitzky, the stately conductor earned the admiration of his musicians for his easy, gracious manners; Bostonians responded to his sense of drama and his flair for improvisation. A chronic under-rehearser who rarely directed any piece the same way twice, Munch...
...part of Harcourt-Reilly, and Irene Worth as Celia evoked a taut sense of spiritual crisis. Without their skills, the confessional-psychiatric dialogue, which sends Celia off to her eventual anthill, sounds surprisingly specious and unconvincing. Suddenly more awkward than intriguing are Eliot's pomposities, like the stilted toast that the three Guardians intone to the future of their charges. And it no longer seems much fun to speculate on the writer's half-veiled allusions (do a pair of spectacles with one lens missing and a jaunty song about "The One-Eyed Riley" have something...
Miami's Henry King Stanford: The demands on a university president are limitless. A man comes into the presidency like a bride: everybody's cheering him, the honeymoon is on. Then he reaches the burnt-toast stage in the romance as he has to make decisions and people become disaffected. Yet he can't run a university out of his hip pocket any more. He has to have a kind of radar, always sending out signals to see what bounces back...