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...technique that he himself worked out by instinct; meantime, he is turning increasingly to an activity that offers a better chance of enduring fame-composing. Although in his earlier career he boasted that he could neither read nor write music, he eventually learned, and even studied composition with Ernst Toch for a year. In 1953, he got the chance to do the score for the British comedy film Genevieve; his music won an Academy Award nomination, and led to writing and playing assignments for another 15 movies (recently King and Country, A High Wind in Jamaica...

Author: /time Magazine | Title: Instrumentalists: Seeking a Mark | 6/30/1967 | See Source »

...TOCH Flushing...

Author: /time Magazine | Title: Letters: May 22, 1964 | 5/22/1964 | See Source »

...minor; Tchaikovskii's Fatum, Symphonic Poem, Opus 77; Strauss's Symphonia domestica, Opus 53; and The Genesis Suite (Prelude by Schonberg, Creation by Shilkret, Adam and Eve by Tansman, Cain and Abel by Milhaud, Noah's Ark by Castelnuovo-Tedesco, Babel by Stravinsky, and The Covenant by Toch...

Author: NO WRITER ATTRIBUTED | Title: Summer Notes | 7/13/1961 | See Source »

...TOCH...

Author: /time Magazine | Title: Letters, Nov. 18, 1957 | 11/18/1957 | See Source »

...look at what Reader Toch longs for, see cuts...

Author: /time Magazine | Title: Letters, Jul. 29, 1957 | 7/29/1957 | See Source »

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