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Word: tod (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

When Donald MacDonald, 20, and Tod ("Speed") Morgan, 21, turned up on the broad beaches near Culver City and Beverly Hills a few months ago, they were just two handsome young men from the East, seemingly bent on harmless fun. As such they soon met a number of boys and girls. MacDonald told his new friends that he was the New England middleweight amateur boxing champion.- Morgan said he was a boxer too. A quick success with the girls, the pair persuaded a shy young appointee to Annapolis (whose name was withheld by the police last week) to let them...

Author: /time Magazine | Title: Education: Culver City Nest | 4/12/1937 | See Source »

Rose Bowl (Paramount) provided the University of Southern California football squad with a nice stretch of work this summer at standard Hollywood pay for costume extras. Cinemaddicts who are also football fans will recognize Tod Goodwin, famed star of the New York Giants (professional) at end. The burly, dark-haired young man who stops a locker-room tiff between Paddy O'Riley (Tom Brown) and Dutch Schultz (Benny Baker) is Nick Lukats, 1933 Notre Dame halfback, now a Paramount contract player. Director Charles Barton needed this kind of cast. Rose Bowl's games are not composed of matched...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 9, 1936 | 11/9/1936 | See Source »

...upon a measured screen, but most of them required the vastly simpler although staggeringly expensive method of literal photography in sets six times normal size. These scenes were shot on MGM's famed Stage No. 12, twice as big as any other soundstage on the lot. Unlike Director Tod Browning's Freaks, or most of the famed Lon Chaney silents which he made, The Devil-Doll's hobgoblinery beguiles rather than frightens...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 20, 1936 | 7/20/1936 | See Source »

...exciting, sure-voiced singer who would make any race proud. Her Handel songs instantly revealed a breadth and nobility of style. Her Schubert Ave Maria was not something interpolated to catch popular fancy; it was fervent, even as an organ tone, deeply impressive. Even more moving was Der Tod und das Mädchen, in which she made a sustained low D seem incidental to the horror of the dying girl, the call of Death itself. Thereafter came an aria from Verdi's Don Carlos, made vivid by canny restraint. With Sibelius' Die Libelle she proved that...

Author: /time Magazine | Title: Music: Colored Contralto | 1/13/1936 | See Source »

...Brooks boatmen have been working out regularly under the tutelage of Coach Tod Hoople, and although it seems to improve with age, no information is available to the effect that it has ever been clocked at any better than six minutes and 59 seconds for the Heule...

Author: NO WRITER ATTRIBUTED | Title: News from the Houses | 5/26/1934 | See Source »

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