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...Schiller's 'Walleustein's Tod'", Professor Silz, Sever...

Author: NO WRITER ATTRIBUTED | Title: The Student Vagabond | 11/19/1928 | See Source »

...songs that Schubert is measured today, by his Erlkonig that he wrote when he was eighteen, by Who is Sylvia?, Litaney, Tod und das Madchen and the Standchen, by the songs that crept in to become the life of his last string quartets, his quintet, the C Major and the great Unfinished Symphony. In Vienna he was first just the thirteenth child of a Moravian peasant-schoolmaster and a dreary cook in a middle-class family. He was the bushy-haired, undersized choirboy in the Imperial Chapel, the one with the thick spectacles. He was the feeble violinist...

Author: /time Magazine | Title: Music: Centennial | 2/13/1928 | See Source »

Peripherie. From their tumultuous spectacles (Midsummer Night's Dream, Jedermann, Danton's Tod), Producer Max Reinhardt and company turned last week to the quieter drama of speculation. Peripherie, which has been translated as "The Ragged Edge," treats murder in somewhat the same vein of comic realism as does the U. S. tabloid press. What digs the vein deeper than it is ever dug by dramatic U. S. journalism or journalistic U. S. drama, is a thrust of reason which Europeans do not fear to exert in their most fantastic moods. Franzi, the roustabout hero of Peripherie, murders a wealthy patron...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Jan. 16, 1928 | 1/16/1928 | See Source »

...Tod. Max Reinhardt, German, continued to reveal his repertory at the massive Century Theatre. Again he showed himself the magic master of mass formations on the stage. The crowded fury of tattered Paris in the Revolution came clamoring to life as Danton was tried before the Revolutionary Tribunal which he had founded and as he rode to the guillotine. The rest of the play was sluggish. In German, language of the presentation, Tod means Death...

Author: /time Magazine | Title: Best Plays in Manhattan: Jan. 2, 1928 | 1/2/1928 | See Source »

...dark memories of the past. His wife, Miriam, combines the pleasant foibles of satyriasis and astrology, while Janet, her daughter, is a nympholept. Hugh, Pride's secretary and Miriam's lover, and Sally, the West African negress, addicted to voo-doo, complete this attractive menage. But we should mention Tod, the giant police-dog, whose essentially surly nature contributes materially to the plot. The advent of Oscar, the musician,--who tells the story,--with a set of brand-new and, comparatively, healthy passions, precipitates matters. Things move from bad to worse, and the climax is reached with a Saturnalia...

Author: By J.e. BARNETT ., | Title: A Page of American Fiction | 11/19/1927 | See Source »

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