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...signifier. Food is art, and like literature, film, and painting, cuisine is created and evolves through dialogue; it is handed down and built upon almost like an oral epic. Each dish and ingredient tells a complex and continuing story about the people that produced it. What reaches our tables today expresses the ingenuity, love, and dedication not only of those in our modern kitchens, but those who first picked a suspicious looking morel mushroom or first decided to throw a disconcertingly hideous monkfish...

Author: By Sasha F. Klein, CONTRIBUTING WRITER | Title: Tupelo Serves Up Great Food With a Side of Culture | 11/20/2009 | See Source »

...like Jones at her best way back when—while also incorporating the wistful moan of an electric guitar. The song seems to resonate in a void, as Jones admits “I know nothing ’bout leaving but I know I should do it today...

Author: By Antonia M.R. Peacocke, CRIMSON STAFF WRITER | Title: Norah Jones | 11/20/2009 | See Source »

Foer devotes most of this book to providing a detailed condemnation of industrial animal agriculture—or factory farming—which provides more than 99% of the meat consumed in America today and which has exactly nothing to do with the pastoral image most people associate with the word “farm...

Author: By Abigail B. Lind, CONTRIBUTING WRITER | Title: A Silent Suffering of ‘Animals’ | 11/20/2009 | See Source »

...Animals” its power, though, is neither its scope nor its journalistic merit. Rather, the importance of “Eating Animals” lies in the depth and nuance of Foer’s argument and in the portrait he sketches of animal agriculture as it stands today. Foer is occasionally shrill in his denunciation of factory farms, but his examination of animal welfare representatives—a vegan activist, several “ethical farmers” and a small slaughterhouse owner—is both more in-depth and more critically engaged, if for no other...

Author: By Abigail B. Lind, CONTRIBUTING WRITER | Title: A Silent Suffering of ‘Animals’ | 11/20/2009 | See Source »

...first original composition to be performed by the Harvard Jazz Bands was “Liberation Genesis,” which he created in 1975 as an already prolific undergraduate musician. It was also during his time at Harvard that he became a Marxist, which he still remains today. “I don’t consider myself a Marxist with a capital ‘M,’” he says. “I believe that it’s not a dogma, it’s not a blueprint; it?...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Jazzing Up a Revolution | 11/20/2009 | See Source »

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