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Word: toed (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Indian-Mound Garage. Big Sur is challenging country. The land is periodically shaken by earthquakes, battered by 80-m.p.h. winds; rainfall can total 72 in. in three months, and termites abound. To cope with these problems, Owings designed a kind of concrete saddle over the ridge, anchored by eight caissons...

Author: /time Magazine | Title: Art: HOUSE IN BIG SUR | 12/28/1959 | See Source »

The techniques employed at Susse are "lost wax" and "sand casting." The lost-wax method of classical and Renaissance sculptors was revived by Susse especially to cope with the intricate broken surfaces of such moderns as Richier, Reg Butler and Giacometti. A plastic mold of the model is constructed and...

Author: /time Magazine | Title: Art: Famed Foundry | 12/28/1959 | See Source »

For sand casting Susse employs a sand found only in the Seine basin, which becomes almost doughy when moist. It is best for highly polished surfaces. The sculpture is solidly packed with sand, which is then baked dry to make a mold. A second mold is also fashioned, roughly one...

Author: /time Magazine | Title: Art: Famed Foundry | 12/28/1959 | See Source »

Site and architect came together by sheer chance. Seven years ago, rotund, ebullient Nat Owings, 56, a senior partner of the huge architectural firm of Skidmore, Owings & Merrill, was visiting San, Francisco for the express purpose of courting a handsome divorcee, Margaret Wentworth. One fine fall day they set out...

Author: /time Magazine | Title: Art: HOUSE IN BIG SUR | 12/28/1959 | See Source »

After their marriage a year later, Owings bought the 55-acre site. Says Owings: "It was six hundred feet long, six hundred feet high and six feet wide," and the statement was only a slight exaggeration. What gave special relish to the job for Nat Owings was that in 32...

Author: /time Magazine | Title: Art: HOUSE IN BIG SUR | 12/28/1959 | See Source »

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