Search Details

Word: toed (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

"Lousy, Huh?" After six years, Hollywood was beginning to pall in other ways, too. "The studios wanted to give me the Monroe-type sex buildup," she says. "I wanted to develop my acting, not my body." When TV Actor Richard Basehart recommended Anne to Producer Fred Coe as an ideal...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

GITTEL LIVES, wired Coe to Director Arthur Penn in Hollywood. Next day Playwright William Gibson was equally convinced. Anne was Gittel for him too. "So how was the Coast?" she greeted him. "Lousy, huh?" The Seesaw team, which had already signed Henry Fonda for the male lead, had found its...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

"At first," recalls Director Penn of the Seesaw rehearsal, "she could hardly find the stage. She couldn't stand. She couldn't turn. She'd play with her back to the audience. She was too broad and too vulgar. Even the lawyers and agents connected with the...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

Silent Humor. Anne had known that she would be tapped for the part of Annie Sullivan ever since Gibson started working on the new play while Seesaw was still on the road. In the meantime, Anne became engaged, this time to Mario Ferrari-Ferreira, distantly related to the Italian auto...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

To prepare for Miracle Worker, Anne worked at the Institute for Physical Medicine and Rehabilitation in Manhattan; she attended a workshop sponsored by Northwestern University and the American Foundation for the Blind; she practiced the manual alphabet at a camp for deaf-blind adults in Spring Valley, N.Y. And she...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

Previous | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | Next