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Word: toed (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

For a long time, back in their early days, the four received a great deal of notoriety for smashing their instruments at the end of each performance. It was, at first, a flashy, frightening and finally exhilarating thing to see. Drummer Keith Moon blew up his drum kit, and Townshend...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

There were no separate peaces. Only nightly shards of instruments lying on the floor of the stage like jigsaw fragments. "We're always trying to outdo each other onstage," Daltrey says. "All of us are a bit mad. We've stayed together for 15 years because we've never stopped...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

Whether witting or withdrawn, like savings, from some secret zinc-lined stockpile, the honesty of the performance and of the music was armor piercing. "The Who sound came from us playing as a three-piece band and trying to sound like more," Entwistle told TIME's Janice Castro. "I play...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

The Beatles fell prey to divisiveness, disarray. The Rolling Stones traveled fast, turned gangrenous. The Who kept its distance, stayed strong by staying stubborn, contentious. Buoyed by the great breaking wave of British rock during the '60s, the group managed to swim clear. "We've sometimes been able to hide...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

Not only does The Who's old material sound vital now, the new songs are as powerful as anything the punks or the new wave set down. There are other supergroups, like the Eagles or Fleetwood Mac, who turn out a kind of well-tooled pop that beats The Who...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

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