Word: toed
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Dates: during 1970-1979
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There is no need to venture to lands and cities of ancient civilizations in order to indulge in an archaeological dig. Broadway will suffice. For the past three or four years, month has scarcely followed month without the unearthing of some hit play or musical of the past. Some fare...
The fact remains that Oklahoma! is as anachronistic as the surrey with the fringe on top. More than any other theater form, the musical mirrors the social milieu in which it is born. This show's ostensible locale and time span are Indian territory, now Oklahoma, just before statehood...
"Ev'rything's goin' my way": so go the lyrics. What nook or dell of the U.S.A. in the shadow of the 1980s echoes them? Doubt and the rage of impotence stalk the land. People worry about whether they can gas up to cross a state, let...
Revivalitis is symptomatic of anemic creative initiative, always exempting Harold Prince and Stephen Sondheim. The response of playgoers is credited to nostalgia. Sheer escapism seems more like it.
Oklahoma! is nothing if not escapist. The creaky book centers on true love be tween Curly, a bold man, and Laurey (Christine Andreas), a spirited maiden, aided by an earthy matchmaker, Aunt Eller (Mary Wickes). They make it real, even when the dialogue resembles subtitles from a silent movie. As...