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“I forgot that Memorial Drive had huge oak trees hanging over it,” Henning said. “We were trucking a set to Agassiz and one of the oaks knocked it right off the truck into the middle of Memorial Drive.?...
With the Loeb’s on-site scene shop and new rigging technology, students would no longer have to rely on rentals. However, access to such expensive and advanced equipment came with a price—a new non-student chain of command.
“We wanted to do some summer productions so we had to go be interviewed by President Pusey,” Charles W. Hayford ’63 said. “We didn’t really have control over the building.”
“Now, this is an institution. I couldn’t just say, ‘Hey let’s just do XYZ play,’” Henning said. “You had to go to Chapman, apply, and present all your ideas...
Despite increased University control over the building and the introduction of professionals to run the space, alumni insisted that for the most part the Loeb was a positive addition to the dramatic arts on campus.