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...consists of a plaster "torso" wearing a bloodstained gray jacket, its arms flung out handless in the posture of a crucifix. Two or three blood-red cloth carnations sprout from the jacket's inside pockets. Still another assemblage presents a shoe embedded in a plaster block. Where the toe dared to protrude from the block, it is chopped off in procrustean fashion; a carnation sprouts from the gaping hole...

Author: /time Magazine | Title: Sculpture: Hope in Plaster | 6/6/1969 | See Source »

Dauntless Hangover. Initially, at least, heroism leaves a hangover of dauntlessness. Most of the wounded men insisted-some for as long as two days -that they could return to their units immediately. When a doctor told one man with a missing toe that his leg would not have to be amputated, the soldier smiled. "Great," he said. "I can go right back to my squad." Almost all of the victims were able to toss off nonchalant quips about their plight. In a Danang hospital, an interviewer asked an amputee what had happened to him. "Some bastard stepped on a mine...

Author: /time Magazine | Title: The Body: The Hero in Every Man | 5/16/1969 | See Source »

Ernest had a way of attracting further tests. In the early Paris days, his infant son, Bumby (John Hemingway, first child by first wife, Hadley Richardson), cut the pupil of Daddy's right eye with his fingernail. Baker recounts how Hemingway broke a toe on a gate, tore his stomach on a boat cleat, ripped open his hand on a punching bag, and shot himself in both legs while trying to land a shark. He was particularly prone to head injury: four major concussions in one two-year stretch...

Author: /time Magazine | Title: Books: Ernest, Good and Bad | 4/18/1969 | See Source »

...dancers came to the company only after training in the disciplines of classic ballet, whereupon they went on to unlearn many of its basics. Their movements forsake the glide-and-leap patterns of ballet in favor of a staccato stomping in which the heel, rather than the toe, becomes the pivot for the action. Unlike Russia's Moiseyev folk ballet, whose dancers' athletic leaps are relatively close to the virtuoso tradition of formal dance, the Folklorico's characteristic moments find the troupe bouncing in position like so many bright-colored jumping beans...

Author: /time Magazine | Title: Folk Ballet: High-Class Hybrids | 4/4/1969 | See Source »

...What!" the boy said. "Did You think I was hung-up about my left big toe?" John laughed...

Author: By Nicholas Gagarin, | Title: Into the Center of the Circle | 2/13/1969 | See Source »

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