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...Lower Depths (Toho) is a fascinating minor work by a continually amazing major artist: Japan's Akira Kurosawa. Filmed in 1957, Depths is presented simply as a Japanization of Maxim Gorky's classic proletarian comedy, but in fact the film has a hissing demonic energy and a vast life-welcoming humor that are unmistakably Kurosawa...

Author: /time Magazine | Title: Cinema: Oh, The Way People Live! | 3/9/1962 | See Source »

Throne of Blood (Toho; Brandon...

Author: /time Magazine | Title: Cinema: Kurosawa's Macbeth | 12/1/1961 | See Source »

...Ikiru (Toho; Thomas J. Brandon), made in 1952 but only recently pried out of a Tokyo film vault by an enterprising U.S. distributor, has long been acclaimed by film buffs as perhaps the finest achievement of Japan's most vigorously gifted moviemaker: Akira (Rashomon) Kurosawa. The judgment is difficult to dispute. Despite heroic defects-and partly because of them-Ikiru ("To Live") is a masterwork of burning social conscience and hard-eyed psychological realism: the step-by-step, lash-by-Iash, nail-by-nail examination of the Calvary of a common...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 15, 1960 | 2/15/1960 | See Source »

...Amagi ("In the drizzling darkness of Amagi/Searchers call for the vanished two"), with a companion tune on the other side called Two Stars Over Amagi ("0 sad, the two lovers gone/Before the spring came") but, disturbed by accusations of "bad taste," decided against releasing the record. The Shin-Toho film studio has announced it has started production of a movie, Suicide on Mount Amagi, the story of the two young college students, with the first screening scheduled...

Author: /time Magazine | Title: JAPAN: Death on the Mountain | 1/13/1958 | See Source »

...Magnificent Seven (Toho; Columbia). Arms and the men have seldom been more stirringly sung than in this tale of bold emprise in old Nippon. In his latest film, Akira Kurosawa (Rashomon) has plucked the epic string. And though at times, in the usual Japanese fashion, some dismal flats and rather hysterical sharps can be heard, the lay of this Oriental minstrel has a martial thrum and fervor that should be readily understood even in those parts of the world that do not speak the story's language. Violence, as Kurosawa eloquently speaks it, is a universal language...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 10, 1956 | 12/10/1956 | See Source »

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