Word: toi
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Toward the end the piece settles into a quiet and completely anomalous mass of discordant voices which gradually work up the scale and resolve into peaceful harmonious chords on the final words of the psalm, "bonheur en toi...
Lucienne Boyer would be rich from her phonograph records alone. In France hers outsell all others. "Parlez-moi d'Amour" topped 350,000. Other big sellers have been "Si Petite," "Attends," "Sans Toi," "J'ai laissé mon coeur," "Désir," "Garde moi dans tes bras," "Parle moi d'autre chose, " "Moi j'crache dans I'eau," "Ballade." The songs have wide variety but Lucienne Boyer's stage costume is always the same: deep blue velvet for which she chooses blue or amber lights. They suit her reddish brown hair, large brown eyes...
...Women invented love, and men fidelity. No! this is not a paradox. The strongest man hides within him a shamefaced sentimentalist, and the weakest woman a stern realist." Author Paul Géraldy, 45, aphorist. playwright, poet, sometimes called "the de Musset of the 20th Century," is author of Toi et Moi, once largest-selling book of poetry. He has seen many a play of his produced at the Comedie FranÇaise. His wife (stage name: "Mme Lubin") is a onetime opera singer...
Georgia Barbecue. A mingling of whites and blackamoors occurred last week in Woodland, Ga. The scene was a huge barbecue, given by a group of Caucasians for the Negroes of the vicinity. Members of the two races ran foot races toi gether, feasted together, laughed, gossiped. There was a baseball game for Negroes only. The chief white speakers, H. A. Alsobrooks and John Rigden, agricultural agents for railroads, lauded the Negroes for their thrift and industry, urged them to buy more farms and stay in the South. The Rev. J. R. Cason, Negro, replied that the Georgia white...
...third of the five groups consisted entirely of French songs of an increasingly deep emotional tinge "Toujour a Toi" by Tschaikowsky, and "Le Captil" by Gretchaninow bracketed the numbers, causing most comment, and aroused the responsive audience for his superb recital of the Prologue from "Pagliacci." Here M. Marcoux first sang with more than authentic charm and purity of tone. His attack on the concluding strong passionate bars, almost beyond the range of the ordinary baritore's voice, removed any lingering trace of uncertainty as to his unusual power and dramatic intensity...