Word: toile
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...that hassle that started with cars. For Brian M. Byrne, a smooth-running press, And competent prufers who don't buckle from stress. Liz Woodley we wish a year without flak--And a jackpot in Jersey next time you go back. For Kenny, Charles, Shoma, and all who toil here A hassle-free, late-night-free, all-star year. To all of our readers, detractors and fans A happy conclusion to holiday plans And on your return a few do-able tests, Followed up finally with some well-earned rest. A fun second semester, filled with yuks, And a springtime...
...stating her emotional needs and her findings as a self- appointed crimebuster. Indeed, it is a measure of Compromising Positions' intelligence that the big speech on malefemale relations falls to Edward Herrmann, playing her husband. Angrily but without self-pity, he makes the case of the drudge-aholic whose toil supports his spouse's self-realization but whose reward is often a diagnosis that he has an intimacy problem. Like such other New York stage stalwarts as Mary Beth Hurt and Judith Ivey, he is well cast and directed by Frank Perry. They are figures who seem really to live...
...reflected in an ecumenical service in Cologne Cathedral attended by West German government leaders and clergymen from throughout Europe. Referring to the four decades since the cease-fire, Joseph Cardinal Hoffner, the Archbishop of Cologne, pointed out that in Scripture, "forty signifies a time of trial, of testing, of toil, of endurance and of reflection...
...THIS END, John Hurt, as Winston, is also marvelous. Previously John Merrick in The Elephant Man and the fool in Olivier's King Lear, Hurt is the archetypal common man, his face a veritable roadmap of toil and suffering. His love scenes with the fresh-faced Suzanna Hamilton (Julia) are as tenderly pathetic as the tiny, dilapitated room in which they take place. He is dwarfed by a huge video screen as he sits hunched and writes in his diary, an action that seems both puny and heroic. Throughout the film, Hurt never loses that peculiar combination of hope...
...THIS END, John Hurt, as Winston, is also marvelous. Previously John Merrick in The Elephant Manand the fool in Olivier's King Lear. Hurt is the archetypal common man, his face a veritable roadmap of toil and suffering. His love scenes with the fresh-faced Suzanna Hamilton (Julia) are as tenderly pathetic as the tiny, dilapitated room in which they take place. He is dwarfed by a huge video screen as he sits hunched and writes in his diary, an action that seems both puny and heroic. Throughout the film, Hurt never loses that peculiar combination of hope and fatalistic...