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...artful packaging of the world--and himself--made way for the media-fueled fame of such '80s artists as Julian Schnabel and David Salle; for the self-conscious works of Cindy Sherman and Sherrie Levine. Since then, artists across the globe have churned out paeans to corporate logos, toilet seats, detergent boxes and endlessly on. The best known of them--Jeff Koons in America, he of the polychromed statue of Michael Jackson and Bubbles; and Damien Hirst in England, infamous for his dead cow pickled in a formaldehyde-filled vitrine--epitomize the Post-Warhol Effect: whole careers...

Author: /time Magazine | Title: Publicist, Prankster, Parvenu, Andy Warhol Was The Pan Of Modern Art | 6/8/1998 | See Source »

...developing nations in the info age, it's a question of priorities: Do you want a working toilet or do you want the World Wide Web? Many seem to be choosing the Web. Access to adequate sanitation facilities in Latin America and Asia is falling while Web use is growing geometrically, according to a new report from the Worldwatch Institute. In China, 4 million people are expected to be online by the year 2000, though not even half of them have a toilet. Africans get the worst deal--few toilets and even fewer...

Author: /time Magazine | Title: Techwatch: May 25, 1998 | 5/25/1998 | See Source »

Anybody who loves big American popcorn movies should find High Concept and Easy Riders, Raging Bulls thoroughly engrossing. Ultimately, though, both also seem as depressing as a Swedish art-house film. Simpson's fate reflects the shame heaped on his whores: his heart failed while he sat on the toilet reading a biography of Oliver Stone. Biskind's book ends with a death too: the 1988 demise of brilliant but burned-out director Hal Ashby, whose Coming Home, The Last Detail and Shampoo were touchstone films of the '70s. Other directors fared only a little better, ushering...

Author: /time Magazine | Title: The Lost Picture Show | 5/11/1998 | See Source »

Nonetheless, it comes as a relief when, in the play's second half, the performance style swiftly sobers up, allowing us to reconnect with the story's plot line and characters--elements that have been largely drowned out during the first half in the loud static of eighth-grade toilet humor. But the bizarrely goofy comedy of the production becomes all the more surreal in contrast with the newly straight-faced drama, providing some startlingly memorable moments: Kirk Hanson '99 as the apothecary Cerimon, hamming it up as he restores the drowned queen Thaisa to life ("She's ALIIIIVE!"); Michael...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Hysterical `Pericles' Not for Purists | 4/17/1998 | See Source »

...idea. Plot incomprehensibility aside, the humor created by this gestalt of interpretation and actors comes close to having a breath of genius. And as far as middle-school humor is concerned: although it might make our purist twitch to hear it--when it comes right down to it, toilet humor was something Shakespeare understood quite well...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Hysterical `Pericles' Not for Purists | 4/17/1998 | See Source »

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