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Word: tokyo (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...ignominious situation is to go on pursuing the ends that give our life meaning, and to fight society's greatest crime of stealing this meaning away. But her condemnation is born of her disgust with the whole capitalist "system" that destroys old and young alike. In his masterful film. "Tokyo Story" (made in 1953 but only later released) Yasujiro Ozu draws no such socialist conclusions, although to him the continual "meaning of life" is even more sacred than to de Beauvoir. He draws no conclusions at all. Not compromising the simplicity of presenting things as they are he thereby forces...

Author: By Celie B. Betsky, | Title: The Coming of Age in Tokyo | 11/3/1972 | See Source »

HARVARD SQUARE. Tokyo Story 1:30, 5:25, 9:20. Princess Yong Kwel...

Author: NO WRITER ATTRIBUTED | Title: the screen | 11/2/1972 | See Source »

...Tokyo, where he was visiting (and decided to remain for the time being), Kim denounced Park's action. "His stated reason that the constitution requires revision is a hollow excuse," he said. "Nearly everyone in South Korea already supports reunification of the country...

Author: /time Magazine | Title: SOUTH KOREA: Power Grab | 10/30/1972 | See Source »

...visit to Seoul last week, TIME'S Tokyo Bureau Chief Herman Nickel found an Orwellian atmosphere. "When you enter the door to the biggest newspaper, Dong-a Ilbo," he cabled, "you have to watch out that you don't get scraped in the face by the bayonets that two grim-looking paratroopers hold crossed on their M16s. For obvious reasons, it was hard to get much comment from Koreans. But passers-by appeared visibly startled when they saw the big American-made M48 tank menacingly pointing its gun from the entrance of the National Assembly. A soldier waved...

Author: /time Magazine | Title: SOUTH KOREA: Power Grab | 10/30/1972 | See Source »

...traditional Japan stake their existence on this perfect clarity of image and technique. Such is the lesson of two fall exhibitions of Japanese art, seen at its utmost pitch of refinement. One is a selection of 235 works of the Rimpa school-scrolls, screens and lacquer-at the Tokyo National Museum, the other a show of inros, netsukes and sword guards from the Charles A. Greenfield collection at Manhattan's Japan House...

Author: /time Magazine | Title: Art: Spare Clarity | 10/30/1972 | See Source »

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