Word: toland
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Dates: during 1940-1949
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...between the picture's plot and the career of her boss. It was a picture lush with the leggy beauty of Publisher Kane's teeming love life, grotesque with his wholesale grabs of Europe's artistic offscourings, memorable for the impressionistic camera work of Photographer Gregg Toland (The Grapes of Wrath, The Long Voyage Home). It was not a picture to be disregarded or forgotten. But it was distinctly non-Hollywood. Whether Welles and R. K. O. had a surebox-office bust or a sensation that would stir up more fun in the next six weeks than...
Professional Hollywood tips its hat to a dozen top cameramen. There is lean, youthful Gregg Toland, who grabbed last year's Oscar with his eerie effects in Wuthering Heights, has this year supplied two more candidates with The Grapes of Wrath, The Long Voyage Home. Toland's daring, imaginative style has earned him a reputation as the Artist of the cameramen, even though he is somewhat shorter on technical skill than his top-notch competitors. After 20 years at the job, Toland, now 36, earns $62,000 a year from his contract with Samuel Goldwyn, lives a quiet...
Joseph Valentine (Guiseppe Valentino), who calls himself a "dago wop," has followed Deanna Durbin's cinema growth from a pup. Most great reputations in the business are built on subdued arty effects -the specialties of Toland, Gaudio and chunky Chinese James Wong Howe-but Valentine has won his colors with gaiety. The lilt he catches in the gait of Deanna Durbin swinging along, singing a song, is the difference between making a musical bright and fluffy or allowing it to settle like cold soufflé. Dark, athletic, with a Cupid's-bow mustache, Valentine is a leader...
...hard impersonality of the sea. In doing so he built 103 minutes of photoplay around a simple character study of the S.S. Glencairn, a slow tramp steamer bound from the West Indies to Britain with a cargo of munitions. During most of the voyage, slight, sensitive Photographer Gregg Toland's camera is turned on the seamen who inhabit the forecastle-a burly, brawling Irishman (Thomas Mitchell); a big, boneheaded Swede (John Wayne) who wants to quit the sea and live on a farm with his mother, and a timid little one who looks after him (John Qualen); a dipsomaniacal...
...when "Judge" Smith got his committee hearings under way last December, New Dealers stopped smiling. Wily Mr. Smith, not pretending to be a Bob La Follette or Tom Walsh, had his committee sit mostly as spectators, while a far abler inquisitor, cobra-cold Edmund Toland, dredged from NLRB's messy affairs one damaging fact after another. Infinitely painstaking, Mr. Toland in ten weeks' hearings wove a garish tapestry of the evidence, showed Board bias, incompetence, extra-legal activities...